



A doctor arrives in a small, provincial town, and must pass himself off as a healer to gain the trust of its inhabitants.


An Argentine who emigrated to the United States finds himself by chance in Argentina for business. There he hires a woman, Paula, who is from a traditional but poor family, and he finds himself falling in love with her.

María Ramos, a young woman of peasant origin, arrives in the capital and finds work as a domestic servant. Her life is divided by the attraction she feels for two men: the young man in the house where she works, who soon seduces and deceives her, and the teacher who teaches her to read and write. She soon becomes a seamstress in the neighborhood and later a sought-after designer. Her love for the teacher becomes clear.

The film depicts an eccentric Argentine family consisting of an elderly woman, her son, and the maid. Their relationships with each other and the outside world are closely linked to the dictatorship that grips the country they live in.

Told in flashback, Federico lives in a poor neighbourhood with his siblings and his single mother, working helping in a local bar, he meets Claudio, who begins to lead him on an easy life making him abandon all his connections in consequence.

An Italian woman arrives in Buenos Aires and suffers all kinds of social and personal misadventures.

"Lucía" is an Argentine-American evangelist propaganda color film directed by Dick Ross that was filmed in 1963 but was never released commercially in Argentina. The film was processed in Hollywood and also filmed in an English-spoken version.


In 1976, Argentina fell into the hands of a de facto government. Thousands of citizens are persecuted and kidnapped. This is the case of the parents of two children, who, knowing they are wanted, decide to hide.

A movie in four parts. A frustrated woman finds love with a painter ("La estrella del destino"). A woman tries to seduce her subordinate when she takes him to her apartment ("La buscona"). A woman who killed her husband falls in love with the gravedigger ("La necrófila"). The sexual awakening of two teenagers and the reaction of their parents ("Chicos jugando al deseo") .
