Personal Info
Known For
Gender
Birthday
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Nell O'Day
Biography
Known for
Studio One
An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.
Buck Privates
Petty con artists Slicker Smith and Herbie Brown mistakenly join the Army evading the cops. The cop chasing them winds up as their drill instructor. A rich young man and his former working class chauffeur are not only in the same unit, they're vying for a pretty girl who seems attracted to both.
Back Street
In turn-of-the-century Cincinnati, vibrant shop girl Ray Smith falls in love with banker Walter Saxel, who is engaged to a socially prominent woman. Inadvertently prevented from running away with Walter, Ray remains single but reunites with him five years later. Despite Walter being married and having a son, Ray becomes his mistress, and over the years suffers social ostracism and long stretches of solitude while waiting for their brief interludes together.
Knight Duty
Harry is a hobo, one step ahead of the law. After accidentally foiling a purse snatcher, he cadges a ride on a flatbed truck, is knocked out when a wax figure falls on him during the ride, and is carried into a museum by someone thinking he's another manikin. Inside, it takes him a while to figure out that he's among dummies. Then, two enterprising jewel thieves arrive to steal the museum director's priceless ruby. Cops are on hand as well: when the ruby goes missing, Harry may be the perfect fall guy. Can Harry stay away from the cops, foil the theft, and behave heroically in front of the museum director's daughter, the same woman whose purse he saved that morning?
The Masked Rider
The beautiful owner of a silver mine in Mexico asks an employee for help when bandits keep robbing her shipments.
Law of the Range
The Wolverine Kid kills a man and it looks like Steve Howard did it. But Steve's father recognizes the bullet as coming from the gun owned by the Kid.
King of Jazz
A large-scale revue musical built around Paul Whiteman and his orchestra, presenting a series of musical performances, sketches, and staged tableaux in early two-color Technicolor, emblematic of Hollywood’s early sound-era “all-star” musical productions.
There's One Born Every Minute
A nine-year-old Elizabeth Taylor made her film debut in this lively comedy. She plays the spoiled-brat daughter of a pudding manufacturer who has been entered into the town's mayoral race by some of the local businessmen. They have chosen him because they think he is easy to manipulate. As a sales gimmick, the pudding magnate advertises that his product contains the highly nutritious "Vitamin Z." He suddenly begins selling pudding like crazy and soon his political campaign is well-funded. Unfortunately, there is no "Vitamin Z" and when this is discovered, the town fathers try to dump him and show that he is a fake.
The Mystery of Marie Roget
A detective investigates the mysterious death of a young actress.
Woman in the Dark
A recently released prisoner lives alone in his cabin so that his bad temper won't get him back in any more trouble, but his peaceful existence is disrupted when a mysterious woman arrives.
Never Give a Sucker an Even Break
Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.
Bury Me Not on the Lone Prairie
A young mining engineer sets out to catch the killers of both his brother and a beautiful young girl's father.
Pirates of the Prairie
In one of his better early Westerns, Tim Holt, as Deputy Marshal Larry Durant, is sent to Spencerville where a gang of vigilantes has been terrorizing the citizenry. Going undercover as a gunsmith, Larry quickly learns that the leader of the vigilantes, John Spencer (John Elliott), is an honest man who only seeks to establish law and order. The real brains behind the crimes, meanwhile, are revealed to be Spencer's brother-in-law, Lou Harmon (Roy Barcroft), and his chief henchman, Leighton (Charles King), who speculate in the coming of the railroad by forcing the townspeople to relinquish their land.
The Road to Ruin
A young girl gets involved with a crowd that smokes marijuana, drinks and has sex. She winds up an alcoholic, pregnant drug addict and is forced to get an abortion.
