Bárbara Mújica

El amor tiene cara de mujer

Atreverse

Atreverse

Edad difícil

The love between two teenagers awakens.

Los herederos

A once prominent family fight each other over the inheritance of a run down mansion. Motivated by individual greed, they turn on one another until they unite to subdue a stranger prone to violence. Outwardly the family retains respectability and their name is not sullied, but irreparable harm is done to the unit and mutual trust is shattered in the wake of the events that transpire.

Under the Earth

When the Germans invade Poland during World War II, a family of Jews seeks refuge in a well. Based on real events, the three survivors moved to Buenos Aires in 1952.

El muro

Leopoldo Torre Nilsson, at the age of 22, made his directorial debut with this little-known auteur short film, based on one of his short stories, which contains the seeds he would develop in future works: loneliness, the conflicts and morals of society at that time, its loss of identity, and literary themes. Although Torre Nilsson himself used to define "The Wall" as "a sin of youth," it already reveals a different kind of cinema, with a certain expressionist touch, a reflection of his literary restlessness and an early and natural rejection of the commercial vision of cinema at that time, a rejection he would maintain throughout his career, in which he would crash against another wall, that of censorship, more than he would have liked.

Duro como la roca, frágil como el cristal

Pimienta TV

Thanks for the Fire

The failure of Budiño Ramon, who plans first murder of his father and is recognized after unable to carry it out, is due largely to the general attitude of a society that tolerates no dramatic gestures. However, the inadequacies of radical class, beliefs, feelings, profession and memory also plays a leading role in the drama.

El octavo infierno, cárcel de mujeres

A woman tries to prove his son's innocence, a taxi driver who is accused of murder.

Those who will see God

A young married couple chooses to abort due to lack of financial resources.

The House of the Angel

A young teen has been raised by a despotic mother overcome with religious zeal and a father who rules over the household with a heavy, iron hand. Forcibly kept innocent of the sexual nuances of some adult relationships, she is not too clear on her rights, his intentions, or the consequences when her father's best friend starts to lust after her.

Yesterday's Guys Used No Arsenic

Mara Ordaz, a former film star who lives in an isolated mansion with her husband, her doctor and her money manager, decides to sell the house and return to Buenos Aires; but the three men do not agree with her decision.

Loraldia - El tiempo de las flores

A journey through memory, of the experiences of Basques who emigrated to Argentina, including characters such as Juan, María, Pedro, Iñaki, Micaela, Ana and Pablo.