Personal Info
Known For
Gender
Birthday
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Marilina Ross
Biography
Known for
PH: Podemos hablar
Atreverse
Atreverse
Piedra libre
Eugenia's parents die. She goes to live with Amalita, her close friend. Her grandmother Amalia Pradere a wealth landlady, takes the orphan under her protection. After a chain of events, disappearing her grandchild, Eugenia will take Amalita's place. She will inherit not only Amalia's possessions but also Ezequiel's love, Amalita's widower.
Los herederos
A once prominent family fight each other over the inheritance of a run down mansion. Motivated by individual greed, they turn on one another until they unite to subdue a stranger prone to violence. Outwardly the family retains respectability and their name is not sullied, but irreparable harm is done to the unit and mutual trust is shattered in the wake of the events that transpire.
El hombre de moda
Pedro Liniers, a literature teacher, comes back to Madrid after his wife has just left him. Meanwhile, Aurora Villalba, came to Spain from Argentina, running away from the militaries, she has a special way of living her own way. Pedro wants to get back the job as a teacher through an old friend, Bruno Baena, who is the head master of the school. Aurora starts going to Pedro's classes. Pedro will become "El hombre de moda", very soon.
Piel naranja
Pimienta TV
Padre Mugica
Biography of Carlos Mugica (1930-1974), an Argentine priest linked to the Movement of Priests for the Third World and to the popular struggles of Argentina in the 1960s and 1970s. Most of his community work took place in Villa 31 de Retiro, which unofficially bears his name. Due to his "option for the poor," embodied in active social activism and his political independence, he received criticism from all sectors, death threats, and various attacks and assassination attempts. He was ultimately shot and killed, and the crime was attributed to the "Triple A" (Argentine Anti-Communist Alliance).
Raulito Is Free
La Raulito travels to Madrid when she gets out of jail in Argentina to carve out a better future. Once in the Spanish capital, she participates in a documentary recounting his experience as a patient in a psychiatric hospital.
Proceso a la infamia
The disputes between two leaders, set in 1930s Cuidad de Buenos Aires.
La Raulito
The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.
Parranda
Cebrian, a blast furnace worker Asturian, being held at the Civil Guard barracks. There has to be accountable for the disasters in a day of party with two friends.
El fuego y el soñador
It describes the dilemma of a director in front of his characters and the search for a fetish actor who ends up being his great love. As if it were a documentary, the director remembers moments of his life and fragments of the filming of his film. That film tells the story of a poet who comes from the 19th century and contemplates the pain of the 20th century. There are tributes to her ancestors, especially her Piedmontese grandmother and her contemporary idols: actress Bárbara Mugica and Luchino Visconti.