
Anita is sixteen and she’s facing a difficult situation: her mother died of leukemia and now Jacopo, her father, is also sick: his need for a bone-marrow transplant is increasingly urgent, but the average waiting period for a donor is many months. Anita isn’t compatible, and neither is Tonino, her grandfather shepherd who lives in the nearby tableland, close to a military base which affect the area since the Sixties. There is uncle Gaetano: being Jacopo’s brother the probability that he is compatible is higher, but Gaetano is a hothead and he and Jacopo haven’t had any relationship at all: an old grudge, which they don’t want to forget, is keeping them apart.

Set among the mountains of southern Sardinia, Zustissia reconstructs the 1991 triple homicide that led to Zuncheddu being sentenced to life imprisonment. He spent 33 years in prison before being definitively acquitted on 26 January 2024, following a retrial initiated by lawyer Mauro Trogu.


Rimini, 1991. For more than a year, the uno bianca gang - they always use a white Fiat Uno - has plagued the area. Their crimes are violent, sometimes killing carabineri, and there's no particular pattern: a bank one day, a petrol station the next, extortion of a small business the next. Are they terrorists? A foreign gang? Tied to the Mafia? After a particularly bloody shootout, two detectives are assigned to start fresh: they go through the notebooks of previous investigators and they interview a few witnesses again. They find a pattern in the crimes and predict the next assault, but the special task force in Bologna is dismissive. Can they carry on alone; how far will they get?

Mario is a mussels fisherman (Indattaraiu, in the original sardinian) who has dedicated his whole life to the sea and to his family. Now sixty years old, widowed and destitute, he finds himself at an impasse: he loves his job but he is no longer able to do it, so his son and daughter want him to sell "Sara", his beloved boat.

Set in Italy in the 1970s, VALLANZASCA is the true story of the Italian underworld’s most infamous outlaw. A criminal by age 9, Renato Vallanzasca grew up to become the country’s most notorious mobster before the age of 27. Vallanzasca and his gang wrested control of the Milan underworld with a string of high profile robberies, kidnappings and murders. In the process, he captivated the public and earned the nickname ‘il bel Renè’ – for his devilish charm and handsome face. Arrested multiple times, his daring escapes from prison enraged the government, angered his rivals and fed his legend.

A romantic drama loosely based on the life of Federica Paganelli, one of the first girls in the world to live with spinal muscular atrophy (SMA) for over 20 years.

To avoid jail, a tax-dodging businessman is sentenced to a year of community service in a homeless shelter.

In 1924, a young police commissioner is relocated to a small island near Sicily. Adaptation of Carlo Lucarelli's novel of the same name, directed by Lucarelli himself in his directorial debut, which went unreleased after its lukewarm premiere at the Rome Film Festival.


By chance some surreal characters arrive at the Happy Days Motel taking their grotesque stories.

Angelo is an orphan who grew up with a nomad woman. He reacts to his pain over the death of his best friend for overdose, thanks to the encounter with Serena. She survives being a prostitute, but she has not lost hope. Angelo moves along an axis of characters in a desolate and poetic day without end.


A detective suspects an unreported serial killer is preying on the population of a college town, luring in his victims through online video chats and assuming their identity after the murder.

Superintendent Chessari is sent to run a small police station on the outskirts of Rome - a temporary posting in a difficult area, with not much backing and very few staff. His deputy, Lorenzo Corsi, is a youngster just out of the Academy, full of enthusiasm and high principles which clash with the corrupt reality of the streets and the attitude of his colleagues. The small police station seems like an outlying frontier post, a sort of backwater where recruits and hot-heads are assigned to rot. Chessari wants a quiet life, and all he does is set up a few routine operations; following suspects and tapping phones. He tries to avoid making waves that might upset his plans for career advancement. His men, however, are a bunch of loose canons, who are not intimidated by the rules or regulations imposed upon them and at times risk crossing the line of legality.