
The 19th NHK Asadora. A dramatization of the life of the singer Chiyako Sato. Michiko Godai replaced Haruna Takase in the lead two months into the series when Takase became ill. Adapted from the novel "Aa Tokyo Koshinkyoku" by Yuki Ryoichi.

A comedic retelling of the legendary encounter between Sasaki Kojiro and Miyamato Musashi.

The fourth "Tenamonya" feature. Adapted from the popular television comedy, Fujita stars in this film based on historical events.

When an American is murdered in a Japanese inn, Tokyo police detective Munesue follows the trail of the killer to New York. There he is joined by a New York City detective named Shuftan and together they sort out the crime.

Late entry "Ekimae" feature, about the hunt for lost treasure.


In Edo, a group of masked samurai stormed a seafood wholesaler, killing the head clerk and robbing the money. They then crossed paths with Ichi, a blind masseur and master swordman. However, upon recognizing his blindness, they decided to leave without confrontation. The next day, a woman known to Ichi and her samurai customer was found murdered at a brothel, leading to the wrongful apprehension of Ichi as the culprit. However, a few days later, when another couple was found murdered in a similar manner, Ichi was released. With his friend, they began their search for the real culprits.


Since his wife's death from illness, Oki Eisuke (Utsui Ken) has been working as a lawyer at the Oki Law Office, raising his high school-aged daughter, Kaori (Hayashi Norie). His late wife's father, Kimura Genkichi (Ban Junsaburo, Matsumura Tatsuo), a former Metropolitan Police Department detective, is in charge of accounting, while Ono Toshiko (Nakahara Rie) is in charge of typist and secretary. Also among the investigators are Sakamoto Ryu (Nakamura Masatoshi), who claims to be serving a two-year prison sentence, and Suzuki Masao (Okita Hiroyuki), who is on probation. These are the members of the firm that Eisuke trusts. A die-hard feminist, Eisuke throws himself wholeheartedly into the cases of female clients, regardless of legal fees, but...



On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.



Driven by greed and a desire for his cousin's wife, Jiro orchestrates a complex frame-up to have his cousin arrested for murder.