


A terrifying story based on a fact occurred in Buenos Aires, early 1967. Reported in "La Nación" and all the other newspapers, after the death of a woman interned at the Instituto de Detención para Mujeres. Doctor Vallejos, the magistrate in charge of the inquest, gets enmeshed in personal intrigue, organized corruption, lust and vice in which apparently all the penitentiary personnel and an organized gang of dangerous inmates are involved, operating within the prison itself.

A modest law firm receives a somewhat ambiguous assignment regarding some properties from a mysterious foreigner, apparently of American origin. One of the partners is struck by the opaque nature of the case and decides to take some time to investigate. He eventually discovers that the foreigner was English and that it is a scheme to seize a house belonging to an Argentine family.


Pablo, a renowned writer, womanizer and in his forties meets Paula, a young and beautiful admirer of his work. He falls in love with her and proposes her marriage.

The reunion of two old friends, married to two beautiful women who without knowing will start a crossed adventure.

Movie divided in three episodes: a family mother becomes a successful singer; an Argentinian reporter follows a Spanish cupletista from the beginning of the XX century; the reunion of three old actors and their lies about their success.



An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.

The son of a businessman leaves his home to be an actor, but when his father dies, he abandons his dream to become an executive.


A student and tango aficionado stops singing when he finishes his career, but later relapses.

A touching tribute to a fundamental figure of the Argentine show, which shows “Tita” in the intimacy of the Carreras family and at the same time, on stage in her last show.