

Police chief Fernándo Gomez Miranda kills his friend, the well-respected lawyer and likely candidate for Attorney General, Raúl de Los Reyes and his youngest daughter of only thirteen in a vehicle ambush. Gomez' son, Luis Mario – a sad-eyed broadcast journalist of passionate conviction – arrives on the scene soon after with his camera and discovers a wounded survivor in the car; Camila, the eldest daughter of de Los Reyes. Luis rushes her to the hospital, saving her life and thereby creating a bond between them that he cannot escape. Luis' half-brother, police detective Alfonso Carbajal, is assigned to the case. An old schoolmate of Camila's, Alfonso has long been in love with her and conflicts arise when all evidence points to Camila being involved in the drug trade. The two brothers find themselves caught between their professional duty that would require them to expose Camila and their desire to protect her.

Valeria y Maximiliano is a Mexican telenovela produced by Carlos Sotomayor for Televisa and originally broadcast on Canal de las Estrellas from December 23, 1991, to May 1, 1992. Created by Nora Alemán, the telenovela stars Leticia Calderón and Juan Ferrara. The story follows Valeria Landero, a beautiful, wealthy, and strong-willed young woman whose pride and impulsive nature bring conflict to her family. After rejecting the obsessive Román de la Fuente, she becomes the target of his revenge, which threatens to destroy everything she loves. Throughout her struggles, Maximiliano Riva remains by her side, and together they must overcome betrayal, ambition, and family intrigue before finding true love.



The life of great playwright Alejandro del Rey, his searches, his principles, his women and a hostile environment are the backdrop for a wonderful tale of carnal passions, aesthetic obsessions and love for living.



Yaaranday is a Mexican telenovela by TV Azteca. It premiered in 1998. The protagonists are Aylin Mujica and Jorge Luis Pila.


First of two films that make up the collaborative film "Los Bienamados" (The Beloved, 1965). It narrates the encounters and misunderstandings of a pair of lovers during the years, from their adolescence to maturity.

Set in the early 1900s, this film charts the rule of a Latin American dictator as he moves from being a charming despot to a tyrannical ruler before he is finally ousted, only to die in obscurity in Paris. Early in his regime, the resources and agricultural products his country sells command high prices, and he is a reasonably confident, even gentle, ruler who likes to take long vacations with his daughter in Paris. After World War I, with falling prices and a number of coup attempts behind him, his rule becomes quite cruel.

The husbands of a charismatic nurse devise a plan to free her from prison when she is arrested for being a polygamist.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

A dramatization of John Reed's newspaper accounts of the Mexican Revolution. Considered the first real film in Mexican cinema to be made on the Mexican Revolution.