
In 1950s Italy, a young woman from a poor background strives for a better life.

Anthology crime series penned by some of the foremost contemporary Italian noir writers (Camilleri, Faletti, De Cataldo, Carofiglio, Lucarelli, Fois...)


Provaci ancora prof is an Italian television series. The show follows the story of Camilla Baudino, a high school teacher that often finds herself involved in some crimes. Camilla, a amateur detective, collaborates with policemen to resolve these cases and in the meantime she takes care of her husband and daughter.


A photographer and her lover travel to Morocco for photo shoots. While traveling there she has erotic adventures with residents of the area. But she ends up having an affair with someone who ends up betraying her and she murders the man.

In 1980s Naples, an awkward teen struggling to find his place experiences heartbreak and liberation after he's inadvertently saved from a freak accident by football legend Diego Maradona.




The coach of a small-town soccer team finds himself dealing with an illegal betting ring that is disrupting the normal course of the games. He feels he must take action.

Carlo Corsi, coach of a rising football team, encourages his talented son Marco to become a champion. However, Marco struggles with the pressure, leading him to use performance-enhancing drugs. The mother, Giovanna, tries to reunite the family through their shared love of the sport.


The narrative in Parikrama travels through multiple spaces and times, through parallel experiences of its twin protagonists that criss-cross each other, though they come from worlds apart. Alessandro is an Italian writer-filmmaker making a film on Narmada Parikrama, an age-old pilgrimage along the holy river Narmada. In the course of his cinematic journey, Alessandro meets a village boy, Lala, who fled home to secure dignity and land for his displaced peasant family. Lala is almost the same age as his son Francesco, who lost his mother in the recent past. The narrative unfolds the story of two boys, one without his mother, the other without his motherland. Alessandro’s narrative takes a new turn as the river Narmada flows by.
