
When Matt Denant (Gerald de Maurier) finds himself wrongly imprisoned for manslaughter, he takes an opportunity to escape from jail during a foggy day and is forced to rely on the goodwill of local people to remain a fugitive of the law.

In this Edgar Wallace adaptation, Sergeant Elk (a lugubrious Gordon Harker) sets out to unmask the Frog, the evil mastermind heading up a mysterious network responsible for a litany of sensational crimes. Wallace was one of the first British authors to capitalise on the potential of cinema to increase his already considerable celebrity. His luridly titled thrillers depicting shady underworlds remained popular film sources long after his death in 1932. This lavish production boasts a distinguished cast and delivers on all fronts: from romance and exotic cabaret acts, to heaps of tension and a dramatic reveal.

A detective poses as an ex-convict to expose the head of a benevolent society as a fence.

Racehorse owner Anson is swindled by a woman named Wenda and goes up in front of the Jockey Club where he is disqualified on race fixing allegations. He decides to get his own back with the help of Hillcott, an ex-burglar. Jill is the love interest

An ex-con searching for a hidden jewel is assumed by a group of people to be investigating them.


Multiple stories unfold over the course of twenty-four hours in and around a bustling central airport.

Successful middle-aged farmer Samuel Sweetland becomes widowed, then his daughter marries and leaves home. Deciding he wishes to remarry, Sweetland pursues some local women he considers prospects.

A young girl is engaged to a man she doesn't love, and rather than marry him she decides to flee the situation altogether. She is helped by a crusty old barge captain.


Both Jack Sander and Bob Corby are boxers in love with Mabel. Jack and Mabel wed, but their marriage is flat. The young wife looks to Bob for comfort.


A spoiled heiress defies her millionaire father by running off to France to pursue her lover. Things don't go entirely as planned.

A dead man's curse on a London party house seems to echo from 1780 to 1936.

A former boxing champion, now an innkeeper, is accused of stealing a watch from a party of guests at his inn, who happen to be members of English royalty. The old man is arrested and thrown in prison. His son, knowing that his father didn't steal the watch and suspecting a frame-up, follows the royal party to London, where he poses as a wealthy "gentleman" and insinuates himself into the English court in an effort to find out who framed his father and why.