Andrea Elsnerová

Hraběnky

Záhadné případy

Čechovi

Mucha: The Story of an Artist Who Created a Style

Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.

Prima sezóna

Rodinné vztahy

The Cage

She was once the wife of an important man, lived in a beautiful house in Hradčany, and was friends with the famous race car driver Eliška Junková. Today, however, she lives somewhere on the outskirts of Prague in a ground-floor apartment overlooking the courtyard and the street, alone and abandoned by practically everyone. Her husband died a long time ago, and her life now consists only of regular meetings with the postwoman, who brings her pension and her favorite motoring magazines, and regular help at the rectory and the local church. She occasionally cooks and bakes for Father Jan, and with her characteristic willingness, she also does his laundry and ironing. However, one of the last certainties in her life collapses unexpectedly quickly—Father Jan is transferred somewhere to Hradec Králové and is replaced by a young priest who is used to doing everything himself. At that moment, a smiling young man with dark glasses and a flower in his hand enters Květa Galová's life.

Hříšní lidé města brněnského

Elixír a Halíbela

The king raised two unbearable daughters—Princesses Jája and Anýzka. He no longer knows what to do with them. Perhaps the only solution is to send them to the charming witch Halíbela for re-education! She won't coddle them! But her son Elixír claims that almighty love can change them for the better more than witchcraft. And so he ends up making a bet with Halíbela...

Boháč a chudák

Erben's original text, which did not exceed half a page in length, served Zelenka only as a source of inspiration to write a plot-rich story about two brothers, one of whom lives in luxury because Luck helped him to wealth, and the other lives in absolute poverty because he loves him Poverty, and she, out of love for him, doesn't want to allow him to get rich and let his life be complicated by worrying about possessions. However, not only the struggle with poverty and the arrogance that comes from owning a large property are the main motives of this charming comedy, which is intended for children of all ages. The desire for love and the search for happiness in life plays an important role in this sometimes very exciting story, and an equally important motive here is the motive of forgiveness of guilt in the name of more permanent values, among which in this case the relationship of two brothers can be included.

Není houba jako houba

Two pretty girls work at the Koloděj inn – the greedy Líza and the deceitful Berta. Berta has a boyfriend, the mushroom-loving Václav, who can't take his eyes off her. But that's not enough for the spiteful girl, who envies even the crumbs on Líza's plate. What happens when the handsome Mr. Jindřich, the innkeeper's son, falls in love with Líza? The original fairy tale by screenwriter Helena Sýkorová tells us with unique humor.

Co chytneš v žitě

This bittersweet film was Roman Vávra's feature debut. The film consists of three independent stories, all connected through the motif of a field of grain. In 'Awn' a young couple takes a summer stroll in the country, in 'The Haystack' a gang of boys have an adventure with an older girl, and 'The Journey' recounts the tragicomic homecoming of a pair of aging newlyweds. For only the second time in the nineties Czech star Iva Janzurová appeared on the silver screen.

Tři životy

Three soldiers desert and take refuge in an ancient, crumbling castle where three veiled maidens welcome them with a sumptuous feast, on the sole condition that they neither lift a veil nor lay a hand on their hosts during the night. Only one, Jakub, keeps his vow and is rewarded by a freed princess and a magical token that grants him three extra lives.

O dívce, která šlápla na chléb

A hopeful girl from Copenhagen’s poorest quarter reinvents herself as orphan “Brigita” to win a place in a wealthy baker’s home, trading her shabby shed for glittering displays and elegant company.

At the End of the World

A nearly common shop with a nearly common corpulent saleswoman Karla lies at the end of the world, out of standing in time, beyond genres and universes.