Inês Peixoto

Time After Time

Livia and Felipe are in a forbidden love story doomed to end tragically. A century later, they both have a new chance to make their love real again. “Time After Time” is an innovative romance set in two different eras in which characters hold the opportunity to make up for their mistakes, come to terms with the past and write themselves another story.

O Sétimo Guardião

At first glance, Serro Azul may seem like just another typical inland town, quiet and surrounded by mountains, where technological advances such as internet and cell phones have not yet arrived. A place where anyone who passes does not pay much attention, not knowing what is missing, after all, a city that is near Greenville and Tubiacanga could not fail to have its peculiarities. The main one is a source with curative and rejuvenating properties, which is the outermost part of a gigantic aquifer, a huge reservoir of what is becoming the most precious possession of the Earth: water. This source is protected by seven guardians whose mission is to ensure that this wealth does not reach the wrong hands.

Meu Pedacinho de Chão

The colorful village of Santa Fé frequently has its peace disturbed by the conflicts between Colonel Epa and Pedro Falcão, an honest man involved in the city's politics.

Por Você

An unexpected motherhood transforms the life of Bela, a successful doctor who, after losing her best friend, takes on the mission of caring for her four children.

Hoje é Dia de Maria

Maria is an orphan girl who suffers from her stepmother's wickedness. She then decides to escape in search of the fringes of the sea and takes a long walk through Brazilian folk tales. On her journey, she meets several fantastic characters.

Hoje é Dia de Maria

Maria is an orphan girl who suffers from her stepmother's wickedness. She then decides to escape in search of the fringes of the sea and takes a long walk through Brazilian folk tales. On her journey, she meets several fantastic characters.

Miracle Hands

A young medical doctor discovers some paranormal abilities. He can operate people with the assistance of the spirits of dead people.

My Sweet Orange Tree

Zezé is an 8 year old boy who, although a naughty boy, has a good heart. He leads a very modest life, due to the fact that his father has been unemployed for a long time, and has the habit of having long conversations with a sweet orange tree which is in his backyard. Until one day he meets Portuga, a man who begins to help him and soon becomes his best friend.

Oblivious Memory

Carlos is a man doomed by restless memories, that meets with himself, in a time warp. Young Carlos faces the forgetfulness of old Carlos, who doesn't recognize his own appearance. They get a package. But the package seems odd. The knot that ties, the smell, the handwriting on the envelope: this could only be sent by his father, Ernesto, who has been dead for many years. A father who always created unusual situations. In this time warp, Carlos is split in two: one Carlos remembers and the other forgets the moments he spent with his father.

A Teia

Betinho: No Fio da Navalha

After eight years of a political exile imposed by the Brazilian military dictatorship, sociologist Herbert de Souza returns to his homeland. Alongside democracy activists, he faces the arrival of AIDS and puts the devastating impact of hunger under the spotlight. Overcoming his fragile health and personal tragedy, he creates the largest social awareness campaign in Brazilian history.

Apagão

A woman wakes up in the middle of the night and notices the presence of a stranger inside her house. This unusual meeting between people from completely different worlds will have surprising consequences for both.

A Saga

Alma

Moscow

Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.