
Mugaldekoak is set in the early 40s, when, on this side of the border, the wounds of the Civil War were still open and, on the other, they were living under occupation by the German Army. The tale revolves around the Comète Network, an initiative developed during World War II on the border with Navarre: the clandestine evacuation of British pilots brought down in enemy territory.

In the early hours of October 15, 2016, in a bar in Alsasua, Navarre, a fight broke out involving several local youths and two off-duty Civil Guard officers and their partners. The case went to trial. The prosecutor described the events as a terrorist attack and sought prison terms of between 12 and 62 years for the eight defendants. In its ruling, the National Court rejected the terrorism charges but sentenced the young people to between 2 and 13 years in prison.

David Imaz had to flee from the Basque Country in the mid-seventies, repudiated by his people, accused of betrayal. Despite having found happiness in California, his past still weighs him down and the feeling of guilt prevents him from being able to settle down and peacefully enjoy the last days of his life. Joseba Altuna, his childhood friend, comes to say goodbye and to settle the score while he's at it. It's been a long time since they saw one another, but the time has come to face the truth.

Inés sets out on a voyage of discovery around India in search of Ladyland, the Utopian land of women.

In the summer of 1978, Juan Martin (Mikel Losada), a young man from San Sebastian, goes to stay at a farmhouse in the Tolosan countryside to improve his Basque at a language school. There, he meets the beautiful Ixabel (Ainere Tolosa). Based on the 2006 movie.

At last we are starting to hear the voice of women in the cinema. We celebrate it with this documentary on the Basque women moviemakers of yesterday and today, giving a global overview of the subject. Three female divers guide us through the topic of their films, their points of view, their dreams, their efforts to get somewhere, their contribution to the cinema and to society.

Juan Martin, a young boy from San Sebastian, decides to spend the summer in a remote hillside farmhouse to improve his Basque. But there he discovers that the language they use has little in common with his classroom learnings.