
Different celebrities live in the same house watched by cameras 24 hours a day. They will have to overcome tests, strategize and eliminate each other so that only one can be the winner of the most famous house in Mexico.

Different celebrities live in the same house watched by cameras 24 hours a day. They will have to overcome tests, strategize and eliminate each other so that only one can be the winner of the most famous house in Mexico.

Different celebrities live in the same house watched by cameras 24 hours a day. They will have to overcome tests, strategize and eliminate each other so that only one can be the winner of the most famous house in Mexico.

Leticia Padilla Solís, “Leti”, is an intelligent but unattractive girl, rather ugly. She graduated with honors in economics, speaks several languages, is fluent in computers, and is a financial genius. Only, because of his physique, she can't find work. Desperate to find a job, “Lety” decides to accept being hired below her level and takes a job as a secretary at Conceptos, a famous video production company, where ugliness is taboo. The production company “Conceptos” was founded by two good friends: Don Humberto Mendiola, and Julián Villaroel. Unfortunately, shortly after, the Villaroels die in an accident and Don Humberto and his wife Teresita take care of the Villaroels' orphaned children: Ariel, Marcia and Ana Leticia and the successful company.




Como en el Cine is a Mexican telenovela produced by TV Azteca in 2001. Created by Veronica Suarez, it was directed, produced and executive produced by Don Antulio Jimenez Pons. Lorena Rojas and Mauricio Ochmann are the Main Protagonists.

Rosendo Arango, the owner of Grupo La Anita, is married to Alfonsina. They have one son, Damian. Estefanía Bouvier is married to Augusto Castanon and they have one daughter, Elisa. Rosendo cheats on his wife with Carmina Bouvier, Estefanía's sister. Damian and Elisa become friends because Augusto and Rosendo were best friends. But one day, Rosendo and Carmina try to go away from La Ermita, the pueblo in which they live in. But, Estefanía, who had found out about their plans, wants to prevent this, shuts Carmina in her room and then goes with Rosendo in his car, trying to convince him not to run away with Carmina. They have an accident and die and everyone thinks they were lovers.

After twenty years, María obtains her freedom and returns to Mexico to find Patricia's real murderer. She marries Esteban, her husband, again to regain the affection of her children, who reject her for being their stepmother.

When the patriarch of a prominent family dies, his heirs battle to determine who will gain control of his beloved soccer team: The Cuervos of Nuevo Toledo.

A group of celebrities will embark on the television adventure of The Farm VIP where they'll have to put aside all their luxuries, no comfortable beds, no personal assistants. Here, they'll have to get their hands dirty if they want to stay in the game.

Chava Iglesias's doting personal assistant Hugo Sánchez is tasked with leading Club de Cuervos to victory in Nicaragua -- if only his mom will let him.


La cama is a story that gives a voice to reveal the secrets held by beds. If your bed could speak, what stories would it tell? We spend more than a third of our life in bed; it is the uttermost intimate space. In them lay our secrets; perhaps that is why we never think about them. They are a direct witness of who we are, or who we wish to be. Who would give their bed a voice? Surely nobody in his or her right mind. What secrets are held by motel beds, that of a teenager, a newly divorcée, that of your neighbors?