

Like good soldiers in a war-zone, hospital staff are expected to respect the chain of command when dealing with life and death situations. But what happens when smug doctors, arrogant surgeons, and out-of-touch administrators make that easier said than done? Nurses deals with the professional and personal lives of four female colleagues who cope in different ways with the challenges of life on the trauma ward. With determination, strength, and a dark sense of humor, they achieve the demanding and inspiring task of saving lives in a system that sometimes seems designed to do the opposite.

Family man Elias Karo takes four journalist hostage at their newspaper’s headquarters, in a desperate attempt to get them to reveal the wrongdoing wreaked on his family during the 90's recession.

The series follows the lives of Juha "Juhis" Koski and Tommi Mäkinen-Renwall as neighbours. The men drift too far in their everyday challenges that lead to excessive outcomes. Unwillingly, Tommi and Juhis often find themselves in awkward and embarrassing situations where they are forced to choose one of two bad options. Tommi's wife and Juhis' good friend Harriet does her best to understand the men's antics.




Journalist calls down the wrath of her readers by trying to uncover the connection between the murder of a local football hero and a cryptocurrency. Searching for the truth she risks not only her reputation, but her life.

A private detective engages in a sexually-charged relationship with a real estate broker.

The year is 1917. Rumors of the Russian Revolution are spreading to Helsinki, disrupting the lives of both Prime Minister Oskari Tokoi and the bourgeois Nikolajeffie family. The family's 17-year-old daughter Olivia and the same-aged maid Iita, who works for the family, are best friends. They meet a young socialist boy, Juho, and become entangled in politics, which puts their friendship to the test. Olivia disappears, and Iita realizes that it is a matter of life and death. At the same time, Oskari Tokoi's government seeks to make Finland independent from Russian rule.

Dramatic comedy about having fun, throwing yourself into life without inhibition, overcoming the feeling of shame and accepting that few things in life go as planned.

A young Start-up entrepreneur tries to start importing potato to 17th century Finland. The new class of bourgeoisie is emerging and shaking up the stagnant spirit of the era. But nobody believes in potato, and the Turnip-Sellers Guild decides to squash the disturbance caused by the young entrepreneurs. In the end, the bumpy road of potatoes grows into mythical proportions.

Ville has a new hobby, larping, which he loves even though he knows it’s not cool. When the girl of his dreams wants to meet him Ville decides to keep his hobby to himself. The date is still a disaster until Ville gets help from an unexpected ally.


The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.