Julia Martínez Rubio

A tortas con la vida

Isabella

Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.

Crónica de la muerte de Paco Uribe

The life of a man, the death of another.

The Stolen Man

A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.

Roman's Circuit

When a prominent researcher in the field of human memory returns home, he stumbles upon the fact that a man's past, as he remembers and tells it, is often nothing but fiction.

Clandestine Childhood

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.

Vapor

Former lovers randomly find each other, and start to catch up, walking in the Buenos Aires night.

El ramal

Gaston and Mercedes travel down the road in a car. They are driving back from the party honoring Dr Ripol successful career. Gaston, Dr Ripol favorite nephew has something to confess to Mercedes: he killed the doctor.

Hola, mamá

A young recruit calls his mother from the hospital telling her about his imminent return home from the Falklands War.

Viola

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

Y si no es mañana

Wake up in the morning. He feels bad. He brushes his teeth after vomiting. Record the house reviewing drawings, a model and a written photo that makes him smile. He returns it to the cork of old familiar images. Make breakfast for two. Waits.

Una idea de la vida cotidiana

About Buenos Aires

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Yeguas y cotorras

Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.

The Dose

Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. He'll soon meet someone that knows what he's doing.