Soheir El-Bably

Bakiza and Zaghloul

The series tells the story of Bakiza, who was surprised after the death of her rich elderly husband - Ashmawi - with Maji, his daughter, Zaghloul, who was raised in poverty away from her rich father. Ashmawi, the father of Zaghloul, tried at the end of his days to search for his daughter through advertisement in the newspapers, but the result is the arrival of his daughter Zaghloul late after his death to find his widow "Bakiza" - Suheir Al-Babyloni - arrogant and poor at the same time. The series is exposed to the paradoxes that result from the difference between the two characters and the way they deal with the difficulties they face after the death of Ashmawi, after discovering that he died penniless and that they share a legacy from which he remains after paying his debts except home.

Wa Tawalat Al Ahdath Asefa

Brigadier Rushdi Ibrahim is chasing the head of the largest gold smuggling gangs, a very intelligent criminal known as ElBaradei, who has the skill in beating the police and Brigadier General Rushdie with the most intelligence and even contacts Brigadier General Rushdia by phone to challenge him, and the pursuit between them continues amid unusual dramatic events.

الليل الطويل

الحقيقة.. ذلك المجهول

The events take place in a teaser drama about the murder of Ezzat Abdul Salam in mysterious circumstances, where his family members are accused of killing him, and then the events escalate until the real perpetrator is revealed.

Wa Mashait Tareq Al Akhtar

The series takes place in the framework of my teaser of Melodrama, where the girl (Lubna) the school whose fiance is unjustly imprisoned, disguised the character of the widow (Narcisus) for revenge of the family, which was the cause of this extent, and during her living with this family, she is related to them and the events continue, where she begins to reveal facts that she did not know about her fiance.

On the Sidewalk

Directed by: Jalal Al Sharqawi (Director)

وعد ومكتوب

The School of Mischief

In a high school plagued by five unruly students who have failed to graduate for over a decade, the principal hires a new teacher in a last-ditch effort to restore order. Effat, the newly appointed instructor, takes on the challenge with hopes of reforming the troublemakers into model students.

تعبان جدا

An Egyptian Story

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

قلب حبيبة

Raya and Sakina

Rayya and Sekina, two poor sisters, kill their stepmother Ammuna and seize her gold, and to bury her body, Rayya marries Hasab Allah, and Sekina marries Abdel Aal, who works in the police station, so that he would dispel suspicions against them. Over time, they get used to bringing women to their homes, killing them, and stealing their gold.

DataBase of Cast

This Show is to collect most of Egyptian Actors in one movies to have them in database

Amira.. My Love

Adel is a director of a company and is married to Nabila, the daughter of Medhat, the owner of the company. Adel falls in love with the company employee's princess, reveals her feelings and that he was unfortunate in his life with his wife and that his marriage was an interest in relation to his position. A princess shared the same feelings and married her in secret, but Medhat finds out about them.

Dawn of a New Day

The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”