Personal Info
Known For
Gender
Birthday
Place of Birth
Margot Grahame
Biography
Known for
Whack-O!
Whack-O! was a British sitcom TV series starring Jimmy Edwards, written by Frank Muir and Denis Norden, and broadcast from 1956 to 1960 and 1971 to 1972. The series ran on the BBC from 1956 to 1960 and from 1971 to 1972. Edwards took the part of Professor James Edwards, M.A., the drunken, gambling, devious, cane-swishing headmaster who tyrannised staff and children at Chiselbury public school. The Edwards character bore more than a passing resemblance to Sergeant Bilko as he tried to swindle the children out of their pocket money to finance his many schemes.
Venetian Bird
Travelling to Venice to locate an ex-partisan on behalf of a French insurance company, a British private detective gets mixed-up in a political assassination conspiracy.
The Crimson Pirate
Burt Lancaster plays a pirate with a taste for intrigue and acrobatics who involves himself in the goings on of a revolution in the Caribbean in the late 1700s. A light hearted adventure involving prison breaks, an oddball scientist, sailing ships, naval fights and tons of swordplay.
Night Waitress
Helen Roberts, who's on probation, goes back to work as a waitress at Torre's Fish Palace, a San Francisco waterfront dive. The customers are low characters trying to make time with Helen and ex-rum runners trying to make a dishonest dollar. Some of the latter, including Helen's unwelcome suitor Martin Rhodes, are after a mysterious, valuable hidden "cargo"; when violence erupts, Helen finds herself innocently involved, and is soon on the run from both cops and crooks.
Sunday Night at the Trocadero
A series of vignettes with a loose plot. Featured are Frank Morgan, Groucho Marx, Frank McHugh, Robert Benchley and The Brian Sisters. Not bad, more interesting for the historical significance than for entertainment.
Sorrell and Son
Stephen Sorrell, a decorated war hero, raises his son Kit alone after Kit's mother deserts husband and child in the boy's infancy. Sorrell loses a promising job offer and is forced to take work as a menial. Both his dignity and his health are damaged as he suffers under the exhausting labor and harsh treatment he receives as a hotel porter. But Sorrell thrives in the knowledge that his son will benefit from his labors. Sorrell has allowed the boy to believe his mother dead, but when the mother shows up, wanting to re-enter the young man's life, Sorrell must make hard decisions.
Saint Joan
In 1456, French King Charles VII recalls the story of how he met the 17-year-old peasant girl Joan of Arc, entrusted her with the command of the French Army, and ultimately burned her at the stake as a heretic.
The Informer
Gypo Nolan is a former Irish Republican Army man who drowns his sorrows in the bottle. He's desperate to escape his bleak Dublin life and start over in America with his girlfriend. So when British authorities advertise a reward for information about his best friend, current IRA member Frankie, Gypo cooperates. Now Gypo can buy two tickets on a boat bound for the States, but can he escape the overwhelming guilt he feels for betraying his buddy?
The Soldier and the Lady
In the face of rebellion in Russia, Czar Alexander II sends soldier Michael Strogoff 2,000 miles away, with a critical message for Grand Duke Vladimir. On the train journey, Michael befriends a traveler and comes into contact with a mysterious spy, who both unexpectedly aid him in his quest. Once behind enemy lines, Michael is near his hometown and his mother, whom he must avoid in order to fulfill his mission.
The Beggar's Opera
Adaptation of John Gay's 18th century opera, featuring Laurence Olivier as MacHeath and Hugh Griffith as the Beggar.
The Innocents of Chicago
Naïve young Englishman, Silas P. Binns inherits a substantial business in Chicago. Unaware of the city's reputation for rampant organized crime during the Prohibition era, Silas arrives in America with idealistic expectations. Upon his arrival, he finds himself inadvertently caught in the middle of a fierce and dangerous turf war between rival gangster factions. The humor of the film stems from Silas's "innocent" and oblivious nature as he navigates the violent underworld of Chicago, often mistaking life-threatening situations for ordinary business or social interactions.