
After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.


When a narcotics deal goes sour and a suspect disappears, leaving only his clothes, Tokyo police question his wife and stake out the nightclub where she works.

Based on the life and career of novelist Fumiko Hayashi, she bitterly struggles for literary recognition in the first half of the 20th-century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.




After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers.

The third of four "The Surprising Legend of Jirocho" films.


Soemon, the master of Gidayū-style madcap performances, has gathered the entire tenement block again tonight and is tormenting everyone with his terrible Gidayū singing.




Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.