
The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieślowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.

Set in Szczecin, Poland, the series begins after the body of a young woman is discovered under the melting ice. It asks ‘Who was she? Why did she die? Who did she leave behind?

Evidence found on the body of a homicide victim sparks hope in a prosecutor that his sister who disappeared 25 years earlier could still be alive.

On the eve of World War II, Polish families are getting ready to defend the city.

A bright, young officer joins General Police Headquarters to investigate one of its lead inspectors and the criminal cases he's working on.

Jacek is a foodie, gay and Warsaw bon vivant who has his own TV show, several similarly eccentric close ones around him and self-destructive tendencies. A dramedy that makes fun of the Polish artistic elite, for whom Warsaw is “the only real Polish city”, cannot be compared to other shows. It is the authorial work of playwright and screenwriter Pawel Demirski. He wrote it from the beginning with the intention of presenting a hero contrasting with the burnout syndrome often felt today - a vital madman who believes the best is yet to come.


Maciek (35), tricked by his boss, steals his boss's car and goes on a desperate joyride across. He drives across the interior of Poland, where people are preparing for a celebration of an unspecified anniversary. In the meanwhile, Magda (35), a Town Hall employee in charge of the anniversary events, Highly committed at first, gradually notices all the dirt and corruption around her. At some point, she must choose between her career and integrity, whether she should accept it or risk her career and leave. Finally, on the celebration day, Maciek and Magda finally meet. Will it change anything for them?



Michał, a mature man and father, is full of bitterness, regret, and longing for unfulfilled youthful dreams of true love. He reminisces about all his past lovers. With his first, Asia, he went on a seaside camping trip. He was 19 at the time, and she was two years younger. Despite his unambiguous advances, the girl resisted for a long time. Eventually, however, she gave in. For Michał, it was the proverbial pebble that caused an avalanche.

When the hot-dog vendor Kaj from the small town of Skælskør in Denmark turns 40, his friends take him on a trip to Poland, to a long party with cheap liquor and emigration eager polish ladies. It will go merrily, but it gets serious for Kaj as he meets a girl who mistakes him for a wealthy Toyota dealer she has exchanged letters with.

Bartek lives in a village in the Podhale region, where he runs a small farm and takes care of his lonely and possessive mother. One day he meets Dawid, a slightly older man who comes to visit his family after many years of absence. Affection quickly develops between the two, followed by desire that Bartek suppressed for years.


Good Death follows a young Polish woman and a middle-aged Japanese woman who arrive at a tranquil resort in Taiwan that offers compassionate euthanasia.