
Centered around typical Japanese food, a solitary salesman travelling through the country for business purposes, eats at its various establishments and experiences the various delicacies of Japanese cuisine.

This mini series follows the life of the people on the last train bound for Nagoya. Every new season is a snap of their lives a year after the previous season. This is a show that brings you laughter, moves you to tears, and tugs strongly at your heart strings. All tickets aboard the last train bound for Nagoya!

This anthology-style mystery series is part of the D‑5 PROJECT, centered around Detective Office 5 - a long-running private detective agency in Kawasaki. Each detective is known only by a number rather than a name (e.g., Detective 596, 532), with standalone stories featuring different characters and surreal, quirky cases.

Tsukiko Otonashi is a fashionista who is too beautiful to be a detective. She is also intrigued by urban legends so much so that she believes all crimes are somehow linked to these legends. She even conducts her investigations in such a way as to prove them to be true. Tsukiko also likes to make use of whatever she can. She especially likes to enlist the help of crime lab officer Hitoro Katsuura, who happens to have a crush on her. Many other unique characters will make appearances as she investigates the crimes related to urban legends, using odd and exquisite techniques.

Natsuki Amakusa (Masuda Takahisa), an overconfident genius detective with extraordinary deduction skills, meets Yuya Shiki (Ukisho Hidaka), a cool high school student who guessed the culprit at the scene of a suspected suicide. Yuuya possesses a special talent that allows him to see the shadows of murderers.

Edawakare is the driver of Sentaxi, a marvellous vehicle which is able to take a passenger back to his or her “life’s turning point”. His cool appearance is at odds with his talkative, meddlesome, sweet-toothed character. He gives advice to passengers who are flustered after failing in their life’s choice.

It is the second work of the Oita trilogy of Obayashi . Following " Nigori Snow ", Ise Masazo draws a song written by composers and songwriter "Farewell of 22 years old " as a motif and draws a story of love that spans two generations of mother and daughter.

An unassuming office lady decides to finally get the relationship experience she lacks. But dating means dealing with men and her inner struggles. ~~ Adapted from the manga series "Uri wo Waru" (瓜を破る) by Itakura Azusa (板倉梓).

Sanada plays a salariman who just lost his job. Yonekura, his wife, is a dancer who gave up her career when they got married. In the middle of family crisis, Yonekura leaves to pursue her dream. Sanada is stuck with their only son. Suzuki, his old flame -turn jet set career woman- is forced to take care of them. Will the romance spark again, now that Sanada already has family, and Suzuki has a younger man, Makoto, beside her?


Makoto is a promising oarsman at a University regatta team. One day, he loses his best friend by a tragic accident which he believes and blames himself for the very cause. Although he once leaves the team out of tremendous sense of responsibility, he finally decides to return by the encouragement of Misao and his teammates, and moreover, for the love and passion of regatta. He is determined than ever to become a top class oarsman and struggles to fulfill his dream to participate in the Olympic games. Through the severe practices and competitions of regatta, Makoto learns the bitterness and difficulties of life. Rivalry with teammates, agonies of love and friendship.


A stage play adaption of the 2005 video game 'Yakuza' as part of the 10-year anniversary celebration of the game's release.

An omnibus drama based on short stories by Ryo Asai, who won the 22nd Novel Subaru Rookie Award for The Kirishima Thing and the 148th Naoki 35 Award for SOMEONE.

The young daughter of Keizo Tsujiguchi, a respected physician who runs his own hospital, is found murdered. Keizo secretly blames his wife Natsue because he suspects her of having an affair with his colleague Murai, and having been too distracted to keep proper watch over the child. Being a proud man, he does not accuse her directly, but concocts, instead, a twisted revenge against her. Pretending it is to comfort his devastated wife, Keizo arranges for them to adopt a baby girl. What he hasn't told Natsue, is that the baby is the orphaned daughter of the murderer, a tragic day-laborer who has hanged himself while in police custody. He plans to reveal the child's origins after Natsue has given her heart to the child-- when it will cause the greatest possible hurt.