Rubens de Falco

Os Imigrantes

In Europe, at the end of the 19th century, social policies sent thousands of immigrants out of their countries. A Spaniard, a Portuguese, and an Italian seek new opportunities in the new country, without imagining the difficulties along the way.

Isaura: Slave Girl

Set in 19th-century Brazil during the waning years of slavery, Escrava Isaura tells the story of Isaura, a white-skinned enslaved woman raised with the manners and education of a noble lady. Though treated with affection by her mistress, Isaura remains legally enslaved and becomes the object of obsessive desire by Leôncio Almeida, the cruel heir to the plantation. After the death of her protector, Isaura falls under Leôncio’s control. Despite his attempts to seduce and dominate her, she resists, determined to preserve her dignity and freedom. Her father, Miguel, helps her escape to Recife, where she adopts a new identity and meets Álvaro, a wealthy and principled abolitionist who falls in love with her. Leôncio eventually tracks her down, leading to dramatic confrontations. In the end, Álvaro rescues Isaura by purchasing Leôncio’s debts, securing her freedom and affirming the story’s central themes of justice, love, and resistance against oppression.

O Astro

Herculano Quintanilha, after a failed coup and escape from prison, becomes a magician. He meets Márcio, a conflicted heir, and begins to influence his powerful family.

Little Missy

In 1886, in the small town of Araruna, Little Missy rejects the actions of her father—the slave-owning Colonel Ferreira—alongside Rodolfo, an active abolitionist republican with whom she falls in love.

Sangue do Meu Sangue

A Rainha Louca

Tempo de Viver

Escalada

Um Homem Muito Especial

Vladimir, Count Dracula, leaves Transylvania and comes to Brazil to reunite with his son Rafael. Because of the turmoil in Europe during World War I, Rafael, still a boy, was entrusted to his nanny, Ana, who fled with him. Having discovered his son's whereabouts, Vladimir is determined to rescue him and make him claim his inheritance. Of seemingly humble origins, Rafael has secretly courted Mariana, granddaughter of the powerful Dona Marta, matriarch of the Matos Lacerda family, who dominate the city, since childhood. Rafael is unaware of his father's existence. In his struggle to win his son, Vladimir faces opposition from Ana, who knows all his weaknesses. Upon arriving in Brazil, in addition to his son, Vladimir finds the woman of his dreams, exactly like the one he loved and lost in the past – none other than Mariana, Rafael's beloved. Vladimir believes Mariana is the reincarnation of the great love of his past.

Bambolê

A widower who was anything but traditional for the 1950s, Álvaro has a frank relationship with his daughters and becomes the target of criticism from his sister-in-law Fausta, especially when he meets Marta.

Supermanoela

Manoela is employed in the home of Donato, an employee at a cosmetics factory, and Carolina. After her boss's death, Carolina finds herself unprepared to deal with the serious financial difficulties and fires Manoela, who agrees to work for free, becoming a kind of guardian angel, advisor, and administrator of the house. To pay the mortgage on the property, she suggests that Carolina rent out two of the vacant rooms. The new tenants are four students who have recently arrived in Rio to take the university entrance exam. During their studies, the young men meet Marcelo, nicknamed Belo, who falls in love with Manoela. The relationship gives her the opportunity, for the first time, to forget about other people's problems and live her own life.

Brasileiras e Brasileiros

Brasileiros e Brasileiras is a Brazilian telenovela shown in some schedules SBT between November 5, 1990 and May 14, 1991. Writing for the show was done by Carlos Alberto Sofredini and Walter Avancini, who also directed it. The show was a co-production of the Miksom.

A Sucessora

The story follows the experiences of Marina, a young country bumpkin who marries the mysterious and charismatic widower Roberto Stein, a fabulously wealthy businessman living in 1920s Rio de Janeiro. As Marina attempts to acclimate to her new marriage and responsibilities, she discovers that Stein's late wife, Alice, still seems to have a strong hold over the household. Despite her new husband's affection for her, Marina is nonetheless threatened by Alice's presence, which is made conspicuous through her old maid Juliana's obsessions and her intimidating portrait.

Dona Xepa

A hardworking market vendor, Mrs. Xepa faces many sacrifices to raise her children alone. However, as they achieve social advancement, they begin to feel ashamed of their mother.

Gabriela