
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A soldier from the 15th century, a university student from the 19th century and a nurse from the present join the secret 'Department of Time', a secret department within the Spanish government with the ability to travel through time. Their mission is prevent changes in history.

A major traffic jam throws thousands of citizens on the outskirts of Madrid into chaos, disrupting their plans. This everyday situation will be the starting point for unexpected, comical, and emotional plots.

When their team-building event gets downgraded to a tiny village, a cheese company's staff think it can't get worse — then they learn about the layoffs.



As the coronavirus upends their lives, two detectives doggedly pursue those responsible for an abduction they realize is part of a sinister pattern.
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Ángela Vidal, the young television reporter who entered the building with the firemen, manages to make it out alive. But what the soldiers don't know is that she carries the seed of the strange infection. She is to be taken to a provisional quarantine facility, a high-security installation where she will have to stay in isolation for several days. An old oil tanker, miles off shore and surrounded by water on all sides, has been especially equipped for the quarantine.

Toni, once a famous singer, now has gambling debts and struggles to make ends meet. His luck changes when Malena, a former lover, introduces him to Junior, a wealthy young man, ready to hire him to steal a priceless painting from his own mother. To carry out this supposedly easy heist, Toni recruits a clumsy crew, forming a team in which each one pursues their own interests.

Toby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.

Joe and Averell are the eldest and youngest of the four Dalton brothers, the worst outlaws in Wild West history...

Armando reads quietly in the semi-darkness of his office. He receives three consecutive invitations to lunch at the same time on his cell phone and landline...


A fiery young motorcycle racer throws away his shot at the junior championship in a reckless crash, only to receive a surprise offer from a top Moto2 team that gives him a chance at redemption. But to claim it, he must train under his estranged father, a disgraced former world champion haunted by a tragic past. As the father and son battle personal demons, media scrutiny, and a ruthless racing circuit, their fractured bond is pushed to the limit by ambition, love, and the unforgiving speed of the sport. With a wildcard entry into MotoGP on the line, they must confront the wreckage of their relationship to seize a future—on and off the track.
