Shoes

Personal Info

Known For

Acting

Gender

Male

Birthday

1930-11-20

Place of Birth

Santa Rosalía de Camargo, Chihuahua, México

Aarón Hernán

Biography

His parents were José de la Luz Hernández and Amadita Rodríguez. He has a brother, Héctor Hernández. He was left fatherless, and his mother took him to Mexico City in 1956. He studied accounting, although his vocation was acting. He married Edith Sánchez, with whom he became the father of Aarón and Edith. He debuted as a theater actor in the 1950s, in the play Las manos sucias, by Jean-Paul Sartre, with the participation of Tere Velázquez, Carlos Bracho and Sergio Barrios. Once settled in Mexico City, he entered the Instituto Cinematográfico, Teatral y Radio-Televisión, of the Asociación Nacional de Actores (ANDA), directed by Andrés Soler. In 1958, he participated in another festival, with the ICT's Moncell group, where he starred in El gesticulador, a play by Rodolfo Usigli. He made his film debut in 1965 with Viento negro, as a supporting actor. After participating in the play Moby Dick, he was called by Ernesto Alonso to work in television. He made his television debut in the soap opera La mentira (1965), with Julissa, Enrique Lizalde and Fanny Cano. He worked in the theatrical company of the Mexican Social Security Institute. Aarón Hernán served as Secretary of Internal and External Affairs and Treasury of the National Actors Association (ANDA) on several occasions and served as General Secretary from 1998 to 2002. In his last year of life, his children wanted to declare him legally incompetent to administer his assets, so he had to defend himself legally and moved to La Casa del Actor, ANDA's retirement home. There he had a fall that caused him to fracture his femur. Complications following surgery caused a lethal myocardial infarction.

Known for

Hearts to the Limit

Hearts to the Limit

Corazones al límite is a Mexican telenovela about a teenage girl named Diana who was emotionally neglected from her parents, and felt unwanted. After being expelled from her boarding school in Switzerland, Diana goes back to live with her parents.

Head over Heels

Head over Heels

A man's budding romance with a beautiful woman is sabotaged by his evil twin, but they get another chance at love when they're reunited years later.

Salomé

Salomé

Fernanda Quiñones, whose stage name is Salomé, is a dancer who works at the D'Rubí cabaret in Mexico City with her friend Karicia. One day, Salomé meets Julio, son of the millionaire Montesino family, who is married to Ángela, a sickly woman who cannot have children. Lucrecia, Julio's mother, who is obsessed with the idea of ​​having a grandson who will inherit the family fortune, proposes to Salomé that she be the mother of that grandson. But, when she finds out that Julio, even though he loves her, will not only not leave Angela, but that she will be the one to raise the child as if it were her own, she flees far away with her son and two other babies abandoned by a neighbor. Twenty years later, Salomé becomes a wealthy business woman who lives with her three children. When he returns to Mexico, Julio and his mother will try to find out who Salomé and Julio's son is.

Extraño en su pueblo

Extraño en su pueblo

Storm Over Paradise

Storm Over Paradise

Tormenta en el Paraíso is a telenovela that was made by Televisa. This telenovela has a blend of new talents and with figures of extense experience in the television, and it began filming scenes in locations in the states of Quintana Roo and Veracruz on September 20, 2007. The telenovela is a production of Juan Osorio, premiered November 12 of 2007 in El Canal de las Estrellas.

Paloma

Paloma

My Love, My Sin

My Love, My Sin

Amarte es mi pecado is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from January 5 to May 14, 2004. Created by Liliana Abud, with adaptation by Jaime García Estrada and Orlando Merino, the story follows Leonora Madrigal, a young woman whose life is marked by betrayal, sacrifice, and forbidden love. After being accused of a crime she did not commit, Leonora faces the consequences of a painful past while trying to rebuild her life and find happiness. The telenovela explores themes of love, revenge, ambition, and redemption.

Sortilegio

Sortilegio

María José is a simple small-town woman eagerly awaiting her wedding day to Alejandro Lombardo, unaware that her “Alejandro” is actually Bruno—the half-brother of the real Alejandro—who has inherited a vast fortune.

El amor nunca muere

El amor nunca muere

Killer Women

Killer Women

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

Crystal Empire

Crystal Empire

Imperio de Cristal is a Mexican telenovela that aired on Televisa in 1994 with 124-episode from the plot to the main cast it was officially first launched on Monday, 29 August 1994 & ceased transmission on Friday, 17 February 1995 was aired runtime of 45-minutes with commercial on weekday at 21:00 to 22:00 CST/22:00 to 23:00 MST/23:00 to 00:00 PST.

La antorcha encendida

La antorcha encendida

A Mexican telenovela produced in 1996. It was the last historical telenovela produced by Televisa. The plot tells the Independence of Mexico, with an emphasis on historical accuracy.

Ven conmigo

Ven conmigo

Al rojo vivo

Al rojo vivo

Marisol

Marisol

Mexican telenovela starring Erika Buenfil and Eduardo Santamarina with the antagonic role of the star actress Claudia Islas. It was produced by Televisa. This telenovela contained 145 episodes and is a remake of Marcha nupcial.