


Showing reality like it is... What happens when a promising and smart young woman is suddenly called upon to lead he most sophisticated police force in the country. To Ana Belmonte, this is the promotion of her lifetime, to the Criminal Police, this is a shake-up in their deep-seated hierarchy. This young inspector will be confronted with crimes that are tough to crack, where everyone is a suspect and leads can lead to the most unexpected places. But she’ll also have to face the jealousy and anger within her own department, where there are as many allies as there are enemies, and she’s a woman in a men’s world. Having been promoted by her former stepfather and national director Alberto Machado, Ana is going to permanently change the lives of those around her, whether they like it or not.


Three generations of a family living together in an idyllic villa juggle the demands of their wedding planning business and their own personal crises.

Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.

Shaken by sadness, lack of motivation and apathy, Rita discovers an application on her cell phone that offers her the opportunity to live other people's lives. Feeling the need to make a radical change in her life, she decides to install the mysterious application called “Appy” and dive into the different experiences it offers. However, what Rita does not understand is that the errors in the application, still in the experimental phase, will trigger irreparable consequences in her life.


Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism.

PLAYBACK is not just a biopic about Carlos Paião. It's a journey into the creative universe of one of the greatest geniuses of Portuguese music. Carlos studies Medicine, lives among books, exams, and expectations, but it is in the secret of melodies, words, and imagination that he finds the place where he truly breathes. In a country still discovering new sounds, he risks exchanging the security of a white coat for the uncertainty of stages, songs, and a dream bigger than himself. Between duty and desire, reason and intuition, fear and courage, Carlos builds a unique path, made of talent, humor, creative obsession, and an almost luminous urgency to leave his mark. PLAYBACK reveals not only the songs that made Carlos Paião an unforgettable figure in Portuguese music, but also the intimate universe from which they were born.

A story about art and educated men, and how their art and culture reveal themselves useless in the face of the harsh realities of the 20th century life.

Explore hidden desires on a sleepover, fall in love with the handyman and be seduced by a stranger on the beach as you discover why Love Is the Drug. Boys On Film 17 includes nine complete films: Nicholas Colia's "Alex And The Handyman" starring Keaton Nigel Cooke, Aaron Profumo, and Hogan Gorman; Dawid Ullgren's "Mr. Sugar Daddy" starring Bengt C.W. Carlsson and Aleksandar Gajic; Brendon McDonall's "Spoilers" starring James Peake and Tom Mumford; André D. Chambers's "Tellin' Dad" starring Carl Loughlin, Ricky Tomlinson, and Michael Byron; Eyal Resh's "Boys" starring Wyatt Griswold and Pearce Joza; Martin Edralin's "Hole" starring Ken Harrower and Sebastian Deery; Lorelei Pepi's animated "Happy & Gay"; André Santos and Marco Leão's "Pedro" starring Filipe Abreu and Rita Durão; and Anthony Schatteman's "Kiss Me Softly" starring Ezra Fieremans, Marijke Pinoy, and Marc Van Eeghem.

After receiving a visit from a messenger of God, João de Deus wins his buddy's girlfriend through a roll of the dice.

Paul and Adèle were once lovers and separated but are still good friends, one year after everything seems to take them away from each other. The key of E-flat may be the key of true friendship, but it is Mozart that pushes them apart...

A serious young man of free spirit is forced by his surroundings to become rich at all costs. A group of blind children tries to open the eyes of the unbelievers to the Christian faith. Retired nuns who open a brothel, to pay the running costs of the convent. These rather ironic paradoxes turn this fairytale into a philosophical fable.