Zahy Guajajara

Invisible City

An environmental police officer uncovers a hidden world of mythological entities from Brazilian folklore when he finds a connection between the mysterious appearance of a dead river dolphin on a Rio de Janeiro beach and the death of his beloved wife.

#Provoca

Dois Irmãos

Between the 1920s and 1980s, the plot narrates the trajectory of a Lebanese family focusing on the conflicted relationship of the twin brothers Omar and Yaqub.

IndependênciaS

Don't Swallow My Heart, Alligator Girl

The border between Brazil and Paraguay: living on opposite sides of a big river, Brazilian boy Joca falls in love with indigenous-Paraguayan girl Basano. A magical tale of impossible love and adventure in this land full of memories of colonial wars and indigenous genocide.

Uýra: The Rising Forest

Uýra, a trans-indigenous artist travels through the Amazon forest on a journey of self-discovery using performance art and ancestral messages to teach indigenous youth and confront structural racism and transphobia in Brazil.

Nightsong

When the machines stop and the workers return to their homes, a strange stillness hangs over the plantation. No insects can be noticed, just the slight rustling of the wind against the foliage. 7 year-old Helena lives with her parents; workers on a large soy farm in southern Brazil. She suffers from sleepwalking and since her mother is diagnosed with cancer, she becomes close to Poñy – an AváGuarani indigenous woman who lives alone in the vicinity.

The Fantastic Garden

An indigenous teacher implements the use of Ayahuasca in her classes in order to connect her students to another reality. During a ritual, one of the children comes upon a weird gear in the forest.

Zahy - Uma Fábula do Maracanã

Zahy Guajajara, 23, is one of the indigenous leaders of a village created next to Maracanã, in the old Museu do Índio, in Rio de Janeiro, threatened with demolition. In this video created with four hands with Felipe Bragança, Zahy, a shaman and storyteller from his village, takes a new look at the place where he lived and resisted.

Karaiw a'e wà

The film rescues the word “karaiw”, which means “civilized”, to question the constructed image of the “savage” and “barbaric” indigenous, an image rooted in coloniality. In the work, the invention of civility is put to the test along with the ideals of progress, intellectuality and modernization.