
Mujeres de nadie (Nobody's Women) is an Argentine telenovela produced by Pol-ka and broadcast by El Trece from May 10, 2007, to November 17, 2008




No one can and should live without love. This biographical series chronicles the life and career of passionate, iconic Argentine rock star Fito Páez.

Menem, an extravagant and charismatic politician, becomes president of a troubled nation. His term, marked by privatization of public enterprises, dollarization of the economy, and consulting fortunetellers, is overshadowed by terrorist attacks and the death of his son. His photographer, Olegario Salas, witnesses his life change along with Argentine society amid economic recovery and corruption.


Los Roldán is a Spanish language telenovela produced by Argentina's Telefe from 2004 to 2005. The drama, which is also described by many as a comedy, actually ended up winning an award in 2004 as Argentina's Comedy of the Year. RCN Colombian network recently bought the soap opera, making a Colombian version called Los Reyes, while the Mexican version of Los Roldán is Los Sánchez, produced by TV Azteca. In 2008, ANT1 Cyprus, produced the series in a Cypriot version called Η ζωή είναι ωραία. In 2012, Mega Channel, produced the series in a Greek version called Οι Βασιλιάδες.


Cris Miró's journey as Argentina's first trans vedette in 1995, shedding light on the trans community. Despite challenges, she embraced her true self until her untimely passing, leaving a legacy of inspiration and acceptance

Mariano, a neurotic young man about to get married, tries to carry out a small scam in order to set up his brand new apartment. Everything goes wrong as his beloved Siam Di Tella ends up in possession of a very eccentric homeless man.

Videomatch was a late-night 120-minute Argentine comedy show hosted by Marcelo Tinelli and broadcast on Telefe that debuted in 1989 in the midnight time slot. Currently the show still airs under the name of Showmatch.


At the request of his daughter, Turbo is reluctantly forced to open his doors for 30 days to his emotionally fragile and eccentric ex-wife, Loba, following a prolonged stay at a mental hospital. As old feelings reemerge, Turbo and Loba find themselves at the center of a perfect storm that could set them on an odyssey of rediscovery… or send them both back to the madhouse.

A reworking of Waiting for Godot where two losers (Coco and Peluca) are waiting in an amusement park abandoned to a former occasional boss (Godotti) who owes them a small amount of money.