
A Czech medical television series that focuses on an emergency department. Each episode follows cases inspired by real-life stories and the cases of patients and healthcare professionals.

Through globalization, many countries have been opened and barriers removed to ensure easy trade, travel and cultural diversity. However, this openness has given opportunities to criminals looking to exploit the system and ultimately threaten our global safety. As Europe has become a "safe house" for criminals eluding law enforcers, a special kind of law enforcement team is needed to handle specific ongoing crimes on a global level. "Crossing Lines" is the story of one such team, made up of five international cops, headed by Captain Daniel. The team - comprised of individuals who have little in common - must learn to live and work under the most dangerous and potentially deadly conditions. Housed in an unused storage section underneath the ICC, this mismatched team faces bureaucratic, jurisdictional and cultural obstacles while traversing continents in pursuit of justice.

Finding the body of the regional politician Karas, killed in the spirit of medieval torture and carefully arranged in a strange scene, unleash police hunt for a sadistic perpetrator. He puts investigation team in the way of a complex series of murders that shake the local region and criminologists themselves.





This series from the regional homicide department in Hradec connects episodic cases with a larger central mystery—the unsolved case of a woman shot dead on the shore of a pond. This plot connects the individual episodes and gradually reveals that the perpetrator may be closer than anyone thinks.




Barrandov Studios, once one of Europe’s most modern film factories, became both a cultural refuge and a propaganda tool under Nazi occupation, churning out Czech comedies and romances to keep the public distracted while its actors mingled with German authorities. After the war, many of those same stars faced accusations of collaboration, their meteoric Protectorate-era fame tainted by the compromises they made to keep the cameras rolling under shifting regimes.

Barrandov Studios, once one of Europe’s most modern film factories, became both a cultural refuge and a propaganda tool under Nazi occupation, churning out Czech comedies and romances to keep the public distracted while its actors mingled with German authorities. After the war, many of those same stars faced accusations of collaboration, their meteoric Protectorate-era fame tainted by the compromises they made to keep the cameras rolling under shifting regimes.


A small town somewhere in the north. The body of a brutally murdered young girl, Anna, is found by the river. The investigation is taken up by the determined criminalist Laura Linhartová (Kristýna Ryška), and her old colleague Adam Beneš (Kryštof Hádek) is assigned to her. The main suspect is a recently convicted perpetrator who is responsible for a similar murder. Just when it seems that the search for Anna's murderer is over, new evidence appears that brings the whole case back to the beginning. The criminalists thus embark on a complicated investigation full of unexpected twists and turns. The circle of suspects in the small town expands dramatically. The tension between Laura and Adam rises, not to mention their different characters and shared past. And the question still hangs in the air: Who killed Anna Pittnerová?