Shoes

Personal Info

Known For

Acting

Gender

Male

Birthday

1942-09-28

Place of Birth

Paris, France

Pierre Clémenti

Biography

Pierre Clémenti (28 September 1942 – 27 December 1999) was a French actor. Born in Paris, Clémenti studied drama and began his acting career in the theatre. He secured his first minor screen roles in 1960 in Yves Allégret's Chien de pique performing alongside Eddie Constantine. Arguably, his most famous role was that of gangster lover of bourgeois prostitute Catherine Deneuve in Belle de jour, the 1967 classic by Luis Buñuel, in whose film La voie lactée he played the Devil. He appeared in several highly regarded films of the period, working with many of Europe's best known directors, including Luchino Visconti (The Leopard), Pier Paolo Pasolini (Pigsty) and Bernardo Bertolucci (The Conformist and Partner). Other directors he has worked with are Liliana Cavani, Glauber Rocha, Miklós Jancsó and Philippe Garrel. In 1972, his career was derailed after he was sentenced to prison for allegedly possessing or using drugs. Due to insufficient evidence, Clémenti was released after 17 months; later he penned a book about his time in prison. After his release he played the role of ever-optimistic sailor of the Potemkin in Dusan Makavejev's scandalous movie Sweet movie, and the role of the seductive saxophone player Pablo in Fred Haines's film adaptation of Herman Hesse's novel Steppenwolf. Throughout his career, he continued to be active on-stage. He was also involved with the French underground film movement, directing several of his own films, which often featured fellow underground filmmakers and actors. Visa de censure no X was an experimental work made up of two of films. New Old was a feature length work released in 1978 in which Viva appeared. La Revolution ce ne'est qu'un debut, continuons le combat, followed by In the shadow of the blue rascal and Sun. He died of liver cancer in 1999 Description above from the Wikipedia article Pierre Clémenti, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

Known for

Les Rendez-vous du dimanche

Les Rendez-vous du dimanche

A talk show presented by Michel Drucker

Midi trente

Midi trente

Little Lips

Little Lips

A writer returns home to his estate after service in World War I. He has developed a very bad case of depression due to a war wound concerning his genitalia. He contemplates suicide, but recovers after becoming interested in his caretaker's 12 year-old war orphan niece, who now lives in the manor.

Pour le plaisir

Pour le plaisir

Belle de Jour

Belle de Jour

Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.

The Leopard

The Leopard

As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life.

The Idols

The Idols

This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.

The Conformist

The Conformist

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Patrik Pacard

Patrik Pacard

Patrik Pacard was the sixth ZDF-Weihnachtsserie, and aired in 1984. The series was broadcast in Germany on ZDF, and consisted of 6 episodes. Broadcasting in Germany began on December 25, 1984. The series was also broadcast in Switzerland, and constisted of 12 episodes. Broadcasting in Switzerland began on December 4, 1984. An English-language version of this series was shown by the BBC in the United Kingdom in 1992, and repeated in 1995, though with a revised plot to reflect the end of the Cold War. A French-language version of this series was broadcast as well. The shows titular character and theme song are incorporated in an internet meme on YTMND in relation to an alter-ego of Star Trek's Jean-Luc Picard.

Exposed

Exposed

Wisconsin farm girl Elizabeth Carlson leaves family and her English teacher lover behind and escapes to New York. There she soon makes a career for herself as a fashion model. During a vernissage she's approached by a mysterious man whose motives are unclear...

Lamiel

Lamiel

Lamiel is a poor orphan girl who climbs to the social elite in this 19th-century costume drama. Sansfin, provincial doctor, lives vicariously through her, as he oversees the progress of his female protégé. Defiant and rebellious, Lamiel goes to Paris to escape boredom and to know love.

Edith's Diary

Edith's Diary

When Edith Howland's husband abandons her for a younger woman, leaving her with their alcoholic son and his senile uncle, she begins recording details of an imaginary, much more successful life where she has friends and grandchildren. However, this diversion soon grows unhealthy when she becomes slowly convinced that the fantasies are real.

New Old

New Old

"Chronicles of the Present Times" - An experimental trilogy. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.

Les Bargasses

Les Bargasses

A film by Marc'o

Homeo

Homeo

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.