
Giulio is a widower, struggling to raise three sons, Marco, Rudi, and Mimmo, as best he can. He lives in Rome's working-class Garbatella neighborhood and runs a wine shop with his two brothers. Lucia, meanwhile, comes from Milan's middle-class background; she's divorced and trying to rebuild her life with her two daughters, Eva and Alice. The two meet by chance and recognize each other: they had a fling as teenagers, many years earlier. Yet first love is never forgotten, and so Giulio and Lucia find themselves together again. Their meeting, however, changes not only the lives of a man and a woman, but also those of two families as different as could be. Two families who find themselves living under the same roof without even having had the time to get to know each other well.



Overburdened and stuck in a greying marriage, Giovanna takes to caring for a Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her.





A Mafia boss fakes his own death aiming at a fresh start, but a nurse happens to see him alive and well after the funeral. A hitman is promptly sent to get rid of her, only to find out she's his first and unforgotten love.

In this stylish and offbeat black comedy, Benito ( Jerry Calà) keeps a diary of his sexual fantasies and cravings. As a result of his on-again, off-again relationship with the beautiful and insatiable Luigia (Sabrina Ferilli), his thoughts along these lines have grown increasingly bizarre. For his own part, he is driven to pick up and bed women at almost every opportunity. As the fantasies recorded in his diary consume more and more of his life, and grow darker and darker, his ordinary waking life becomes flatter and duller, until he disappears altogether.

A mature mother of several children is concerned that her beloved husband is losing interest, so she does her best to provoke some jealousy in him.

Four comedic episodes framed within the story of a tyrannical Zen master and his two hapless disciples.


Matriarch Adele's death prompts an unexpected and often incendiary reunion for the large Gori family – unaware that inside her coffin lie also the stolen goods of a robbery by her son Danilo.

1957. ANNA MAGNANI is in America, invited to the ceremony of awarding the Oscars, and BETTE DAVIS does not miss the opportunity to meet her and invite her to her home for tea. With the help of an interpreter the two actresses exchange compliments and Davis, who is in possession of some films they have interpreted, proposes to Magnani to look at them together. The evening, however, will take an unexpected turn ... ANNA MAGNANI and BETTE DAVIS, they really met and exchanged confidant letters for years. Their meeting is the starting point for LA GRANDE MENZOGNA, to then become a bittersweet comedy about the life of the anomalous and “difficult” artists, shot partly in color and partly in black and white, in a perfect quote from the photography of the years films '50.