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Carlos Flores
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High Heat
When the local mafia shows up to burn down her restaurant, Ana, a chef with a meticulous past, defends her turf and proves her knife skills both in and out of the kitchen.
Doble Vida
Cecilia (Eileen Abad) and Beto (Ricardo Bianchi) discover that their love may be marked by a dark secret from their past. Cecilia, a humble, studious, and free-spirited girl, and Beto, a passionate, charismatic, and sensitive young man, meet at a restaurant when she is dressed as a hamburger. From this peculiar and fun encounter, they develop a special connection that eventually transforms into a deep and sincere love. However, their happiness is threatened when speculation about a possible family link between them begins to emerge. At the heart of these speculations are the mysteries and secrets of her parents, Cosme and Carmen. During a visit to Cecilia's house, Beto discovers that her father has another family, which deeply disillusiones him. Frustrated and confused, he decides to distance himself from his young love.
Al sur de Margarita
Adaptation of Napoleón Ordosgoiti's novel "Abismos Azules". Two friends argue over the love of an ambitious woman.
The Yacht Isabel Arrived This Afternoon
The captain of a small vessel, regularly sailing between his home island of Margarita Island in the Caribbean and the Venezuelan mainland, has two separate and very different relationships. At home, he is happily married, having named his boat Isabel after his wife. Yet on his visits to the port of La Guaira, he has a passionate affair with Esperanza, a woman working in a seedy cabaret who tries to retain him with hexes and spells. A classic of Latin American cinema, which won Best Cinematography at 1951 Cannes Film Festival.
Adiós, Miami
A sharp black comedy that lays bare the contradictions, obsessions, and moral emptiness of a Venezuelan man who has climbed the social ladder through easy money rather than effort. The film portrays a glittering yet hollow way of life, marked by excess, paranoia, and emotional dislocation. Oswaldo, weary of his stagnant marriage, embarks on a passionate affair with a television star, believing that money lies at the center of all human relationships. In a world where everything seems purchasable—desire, loyalty, even identity—the film exposes the seductive illusion and underlying madness of sudden wealth.