Shoes

Personal Info

Known For

Acting

Gender

Female

Birthday

1987-09-15

Place of Birth

Rio de Janeiro, Rio de Janeiro, Brazil

Raquel Villar

Biography

Raquel Villar (Rio de Janeiro, September 15, 1987) is a Brazilian actress.

Known for

Trail of Lies

Trail of Lies

Paloma is a willful woman whose newborn baby is kidnapped by her own brother, Félix, who plans to become sole heir to the family’s fortune. Bruno is an honest man who, during the same night, loses his wife and son in childbirth and miraculously finds Paloma’s child in a dumpster. Destiny will unite their lives in a plot of secrets, revelations, and disputes, with the unpredictable consequences of lives based on a dangerous and surprising network of lies.

Two Faces

Two Faces

In the past, as Adalberto Rangel, he met and seduced Maria Paula. With a calculated coldheart, he married her, stole her fortune, then abandoned her, unaware she was pregnant at the time. Ten years later, accompanied by her son Renato, Maria Paula plots to recover her dignity and to find justice by getting revenge against the indignities done to her.

Cat's Cradle

Cat's Cradle

Imagine a strong and tender hearted woman, a confused man and a villain capable of everything to get money. We have the perfect love triangle to a classic love story.

Destiny River

Destiny River

Upon discovering that he is marked for death due to a curse placed on his ancestors, Solano, with Estela's support, embarks on a journey of revelations about his origins.

Gabriela

Gabriela

Naïve and provocative Gabriela is a raggedy migrant worker who arrives in town to mesmerize all with her playful and simple, yet raw sensuality. Set in 1925, the story unravels in Ilhéus, a quiet northeastern coastal city thriving with cocoa crops and aspirations for progress, even though the traditional ways still rule.

DOM

DOM

A father who never stopped fighting against drugs. A son who never stopped using them. Two sides of the same coin. Victor is a cop who has fought all his life to curb cocaine trafficking. His son is a drug addict who has become one of the most wanted burglars in Rio de Janeiro. Will a father’s love be enough to save his son’s life?

How To Be a Carioca

How To Be a Carioca

An American writer has to learn the quirks of Rio de Janeiro’s people after moving to the Brazilian city.

Emergency 53

Emergency 53

Doctors, nurses and drivers of a special mobile service unit navigate personal and professional dramas while burdened by the responsibility to prevent others from dying.

Saltibum

Saltibum

Foreign Desert

Foreign Desert

A young Brazilian, who has just started working in a huge forest in Berlin, is dragged into a nightmare involving the German colonial past when he tries to find a girl lost in the woods.

Cosme & Damião: Quase Santos

Cosme & Damião: Quase Santos

How to Be a Carioca

How to Be a Carioca

Rio de Janeiro is a city that attracts people from all over the world. Francisco is a native of Rio who does his best to explain the customs and lifestyle of the Carioca population to foreigners who feel lost in the big city.

Headstream

Headstream

A series of surreal events highlights the malaise of a young woman facing the rituals of marriage.

Mutti

Mutti

A groom, seduced by a young woman to return to her apartment, gets more than he bargained for when he meets Mutti, her new housemate.

My Mother’s Father

My Mother’s Father

Davi, a ten-year-old boy, shares a deeply affectionate relationship with his mother, Rosa. When Rosa experiences a schizophrenic episode, the dynamic between them is reversed: Davi assumes a caregiving role that no child should have to occupy. Set against the backdrop of a house move in Nilópolis, in Rio de Janeiro’s Baixada Fluminense, the film follows the small gestures of survival, tenderness, and exhaustion that shape their bond after his mother’s episode. My Mother’s Father is an intimate drama about love, premature maturity, and everyday resilience, approaching mental health not through the lens of diagnosis, but through the territory of affection. A quiet portrait of a childhood marked by pain, but also by the possibility of carrying on.