Ruy Guerra

O País do Cinema

Aguirre, the Wrath of God

A few decades after the destruction of the Inca Empire, a Spanish expedition led by the infamous Aguirre leaves the mountains of Peru and goes down the Amazon River in search of the lost city of El Dorado. When great difficulties arise, Aguirre’s men start to wonder whether their quest will lead them to prosperity or certain death.

Oblivious Memory

Carlos is a man doomed by restless memories, that meets with himself, in a time warp. Young Carlos faces the forgetfulness of old Carlos, who doesn't recognize his own appearance. They get a package. But the package seems odd. The knot that ties, the smell, the handwriting on the envelope: this could only be sent by his father, Ernesto, who has been dead for many years. A father who always created unusual situations. In this time warp, Carlos is split in two: one Carlos remembers and the other forgets the moments he spent with his father.

Gabo & Cinema

It is said that Nobel Prize winner Gabriel Garcia Marquez never allowed for a film adaptation of his singular masterpiece 'One Hundred Years of Solitude', arguably the most influential novel in any language of the second half of the twentieth century, to be produced. However, the prolific Colombian writer had strong ties to the movies.

Saudade

Chico: Brazilian Artist

Chico Buarque is a constant presence in Brazil's art scene and makes up its citizen's popular culture. This wealth in music, poems, theater and novels has been created over the last 50 years and in this film Chico Buarque converses about his memories, shows, daily life, work methods, creative process, in summary all his trajectory. The musician’s search for his German brother, whom he never got to meet, serves as one of the axis for the narrative.

The House of Sand

A woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.

Nifrapo

About Cinema

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

S.O.S. Noronha

In 1930, on the island of Noronha in Brazil, the inmates of the penitentiary revolt. Frédéric Coulibaud, head of the aeropostale radio station, and his team-mates Mastic and Froment, try to prevent them from entering the concession where the island's governor and his daughter have taken refuge. They manage to repair the radio so as to follow and guide Mermoz as he attempts to cross the South Atlantic for the 53rd time. The aviator is forced to ditch and is picked up by a boat. Their mission accomplished, Coulibaud and his team boarded a British ship that had come to their rescue.

Candango: Memoirs from a Festival

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

Le Maître du temps

An alien, with the ability to travel through time, visits our planet at various eras.

5x Favela, Now by Ourselves

The project '5 x slum, now by ourselves' gathered over 80 young people from Rio's favelas (slums), selected through workshops, script and filmmaking techniques to create a feature film consisting of five stories that reflect different facets of the daily lives of residents of these communities - with the promise of escape stereotypical representations.

Peréio, Eu Te Odeio!

23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.

Já que Ninguém me Tira Para Dançar

Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.