
Murders in... is a collection of French-Belgian police TV movies taking place each time in a different French city and region.

Murders in... is a collection of French-Belgian police TV movies taking place each time in a different French city and region.

Chloé Saint-Laurent is a profiler and works with a police team to solve murders in Paris. She's very sweet, she wears very colored clothes and a huge yellow bag. She looks like a little girl who need a doll, but she's very smart and a very good profiler. Step by step, she fit in the team and her colleagues, very reserved at first, became her best friends.

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.


In 1429, a French teenager stood before her King with a message she claimed came from God; that she would defeat the world's greatest army and liberate her country from its political and religious turmoil. As she reclaims God's diminished kingdom, this courageous young woman has various amazing victories until her violent and untimely death.



In an industrial and labyrinthine seaside town, people ignite suddenly with no reason. Suicides? Murders? Supernatural phenomena? To find out, Louise, a young journalist, and Gabriel, a psychiatrist, will investigate.

Two men, with vastly different life stories and personalities, embark on a hearse heading to the South of France. During their journey they realize that, however unlikely, they're not so different in the end.

An Easter weekend in a country town. On duty at the police precinct, lieutenants Francoise Ruiz and Clementine Arpinon are dealing with day-to-day matters. The ad hoc boredom arouses the tension between these two women that have very little in common. An intervention for disturbances of the peace at night gives them a chance to go beyond confrontation.


Four hardened crooks break out of prison. Hunted down, with nowhere to run, they seek refuge in the only place the police cannot follow, a Cistercian monastery. Cut off from the outside world, a nightmare stand off develops between the fugitives, ready to kill in defence of their dearly purchased freedom, and the monks they' re holding hostage. But in this potentially lethal confrontation, nothing is quite as it seems. The game' s been rigged from the start. Requiem' s a violent and fast paced French film that really delivers.

Paris, Kingdom of France, August 18, 1572. To avoid the outbreak of a religious war, the Catholic princess Marguerite de Valois, sister of the feeble King Charles IX, marries the Huguenot King Henry III of Navarre.

As Gentille opens, Fontaine Leglou is walking down a Paris street, and stops to confront a man whom she suspects is following her. She tells him he looks normal, but she's sorry, she doesn't have time to have coffee with him. When he convincingly protests that he was not following her, she apologizes and asks him to have coffee. Fontaine would seem to have a relatively good life. She works as an anesthetist at a fancy mental hospital, and she's got a live-in Nobel Prize-winning arctic scientist boyfriend, Michel, who seems to love her. But there's clearly something nagging at her. She walks around in a perpetually distracted state, and frequently mistakes other peoples' identities and their intentions. When Michel proposes to her, she needs some time to digest it before she responds.