
Based on the memoirs of Eugène-François Vidocq, this series follows the adventures of this former convict turned policeman in the early 19th century. In these new adventures, Vidocq comes up against a ravishing “baronne”, a formidable gang leader. The cases entrusted to Vidocq are not only police affairs, but also delicate, political and even diplomatic affairs.

François Vidocq has been sentenced to eight years' hard labor for a crime he didn't commit. Escaped with the help of his faithful friends Desfossés and Fil de fer, the convict is pursued by his lifelong enemy: the policeman Flambart. Between scams and disguises, Vidocq initially leads an undercover life in 19th-century Paris. Eventually, the two men team up to fight criminals... And Vidocq succumbs to Annette's charms.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

Edouard and Félix work in a real estate agency. One day, they are threatened with dismissal if they don't manage to sell a very isolated house to an elderly, silver and somewhat unusual Englishwoman. In the house, they discover a corpse. The visit is spent dragging the corpse from room to room, cupboard to chest, so as not to frighten the otherwise impressed buyer. But the corpse disappears. He has to be found before the deed can be signed. The two salesmen become detectives, tracking down the dead man's many female acquaintances. All the seducer's conquests are sifted through, to find the one who left her jewels at the scene of the crime.

A German intelligence officer investigates a prostitute's killing in Warsaw during World War II. He lands on three major Nazi generals as suspects, two of whom are also involved in a plot to kill Adolf Hitler.

Four hardened crooks break out of prison. Hunted down, with nowhere to run, they seek refuge in the only place the police cannot follow, a Cistercian monastery. Cut off from the outside world, a nightmare stand off develops between the fugitives, ready to kill in defence of their dearly purchased freedom, and the monks they' re holding hostage. But in this potentially lethal confrontation, nothing is quite as it seems. The game' s been rigged from the start. Requiem' s a violent and fast paced French film that really delivers.


Annie is a middle-age wife, still sexy and pampered by her husband, Phillippe, who is the owner and general manager of a dynamic company. Under the deluge of sexy Swedish movies, sexy advertising on the streets, sexy intimate clothing in ladies' shops, and even talks about sex and marital infidelity with her mother and female friends, Annie starts feeling left aside by her husband, and trying to attract in a number of ways - and failing. It's not the all-purpose secretary at the office that is keeping him late, it's a tax expert that, asking the most innocent questions, is finding out how Philippe can manage a company without profits, and still manage a home, may be two... with high quality levels.

This French slapstick comedy stars the musician/comedian foursome Les Charlots, as valets to the Four Musketeers. One of the film's highlights is a mutual kicking session between Cardinal Richelieu, the King, and a monk. This comedy foursome was enormously popular in 1970s France, and they made a huge number of films during that period.

A banker hires a seedy detective to find his daughter and keep her safe from kidnappers.

Edmond Dantès, who was active in the resistance against the Nazis, is accused for being a Nazi collaborator and is imprisoned in the fortress of Sisteron.

Frédéric Lansac, an artist and botanist, has a wild affair with party girl Moira, but throws her over when he meets the lovely Anne. Frédéric and Anne marry, but tragedy strikes when Moira shows up at the wedding party and makes a scene, causing Anne to fall into a bonfire. Frédéric and Anne lock themselves up in his mansion with his servants, a pair of mute dwarves. Anne, needless to say, becomes bitter and demanding. Frédéric tells everyone Anne has died, then on the sly, hires a nurse to look after her.

Camille, a naïve schoolgirl, meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.

Géo Paquet, aka The Gorilla, breaks from jail. Now an escaped convict, the elite agent must infiltrate a dangerous gang working for a foreign embassy as their leader, a spy enjoying diplomatic immunity, can't be arrested by regular police.

An actor and poet falls in love with a former mortuary photographer turned waitress. They find themselves caught up way over their heads in a dirty political and financial affair, an art smuggling case that touches them merely for the fact that it may separate them, be it through death or exile.