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Mia Hansen-Løve
Biography
Known for
Searching for Ingmar Bergman
A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.
Late August, Early September
A book editor juggles relationships with two women while coping with his best friend's terminal illness.
Cinéast(e)s
Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.
Being Bo Widerberg
The documentary chronicles Bo Widerberg's journey from 1960s Malmö, where he worked as a writer and film critic, to his successes as a director in Stockholm and international adventures in Cannes and New York. The film also explores the personal costs of his artistic vision and how his pursuit of life and authenticity affected both himself and those around him.
Gérard Blain : adultes, je vous hais
A portrait of Gérard Blain, actor and film-maker, an unclassifiable artist, a lard-head and a free spirit. This documentary, packed with eyewitness accounts and archive footage, looks back at his brief career as an actor, his stormy relationship with the Nouvelle Vague and his uncompromising work as a filmmaker. Above all, it paints the portrait of a man with an irreducible character who claims to have always hated adults and their cynicism, ever since his damaged childhood.
Isabelle Huppert, une vie pour jouer
Serge Toubiana spent a year in the company of Isabelle Huppert. Where she went, he followed. Huppert is an around-the-clock actress so she doesn't need the cinema to exist – she embodies the cinema. When she's not performing, she doesn't exist. From film to film, on stage as on screen, Huppert invites us to survey those inner landscapes of hers that we don't yet know.
Sentimental Destinies
In late nineteenth century Charante, Protestant minister Jean Barnery causes local disquiet when he arranges a separation from his obsessive wife. He and his lover keep their love strong as the world changes around them.
Bergman's Ghosts
Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.