Harry Baer

Scene of the Crime

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Unser Charly

The exciting stories about the cheeky chimpanzee Charly, who finds a new home with a Berlin vet family.

Unser Charly

The exciting stories about the cheeky chimpanzee Charly, who finds a new home with a Berlin vet family.

Berlin Alexanderplatz

In late 1920s Berlin, Franz Biberkopf is released from prison and vows to go straight. However, he soon finds himself embroiled in the city’s criminal underworld.

Liebling Kreuzberg

Liebling Kreuzberg was a television series on ARD, which was sent in five seasons with a total of 58 episodes the first time from 1986 to 1998. The scripts of seasons one through three and five were from Jurek, of his friend Manfred Krug wrote the role of idiosyncratic Berlin attorney Robert favorite on the body, the fourth season was written by Ulrich Plenzdorf. Director Heinz Schirk, Werner Masten led and Vera Loebner. Producing Series transmitters were the SFB, the NDR and WDR. The music of the first season was. Hans-Martin Majewski, in the later seasons of Klaus Doldinger.

München Mord

Chief Inspector Schaller and his team solve the most unusual cases in beautiful Munich with wit and charm.

Spreewaldkrimi

Ein Fall von Liebe

Lola

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

R. I. S. – Die Sprache der Toten

R. I. S. – Die Sprache der Toten is a German television series broadcast by Sat.1 since 2007. The R. I. S. in the title is an acronym for Rechtsmedizinische Investigative Sonderkommission, referring to the fictional police investigation unit that is the focus of the series. The series, a crime drama, is a remake of an Italian television series entitled RIS Delitti Imperfetti. The first season ended on 10 June 2007. The second and final season with another 13 episodes began airing 15 November 2007.

The Coffee House

People meet and chat at Ridolfo's Coffeehouse; the conversations are mostly about money, but also about feelings, ideals, friendship, love, fidelity and respectability.

Führer Ex

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.

Raid

Raid is a mysterious drifter and ex-criminal who comes and goes as he pleases. He has been away from the country for an extended period of time but learns on his return that his ex-girlfriend Tarja has presumably died in a fire that he soon discovers was a larceny. He is also contacted by inspector Jansson, who he knows from the past regarding the murder of a protestor. Raid begins his investigation and soon finds that there's more to the cases than meets the eye.

Hitler: A Film from Germany

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.