
The series is set in the 1920s. It tells about the first tasks of Isaev. First, he goes to Reval to stop the smuggling of valuables stolen from Gokhran. Upon his return, he is sent to Vladivostok to collect information about the actions of the whites. Then he has to go abroad to monitor counterrevolutionary emigration.

In 2022, 18-year-old Dima, an ordinary guy from Donetsk, whose life revolved around rap and dreams of fame, is facing a severe test. The news that his mother ended up in besieged Mariupol and stopped contacting him forces him to leave music and join the assault squad as a volunteer to save her. In a war-torn city, he ends up in a Bug unit, which gives the recruit the call sign Kid. Experiencing all the horrors of a military conflict, an infantile teenager undergoes profound internal changes, rapidly turning into a mature and courageous warrior.

The plot takes place in 1942-1943, during the defense of Stalingrad. The Jew Viktor Strum is a talented nuclear physicist working in one of the country's institutes on the creation of an atomic bomb. At this time, Strum's relatives die in Nazi camps and NKVD dungeons, and persecution begins against him. The inventor can only be saved by his scientific brainchild, which Stalin himself became interested in. The state needs such a powerful weapon as an atomic bomb. The scientist has to make a choice: to remain faithful to science and work for the "leader of the nation" or to abandon his vocation and be destroyed.


Liquidation is a highly popular Russian television series, which parallels the famous The Meeting Place Cannot Be Changed with notable ethical shift. In the "Meeting Place", chief of criminal investigations Gleb Zheglov had a modus operandi "Thief must go to prison, no matter how I put him there". In Liquidation, chief of criminal investigations David Gotsman's motto has changed to "Thief must go to prison, but lawfully so". The stars of the film include famous Russian actors such as Vladimir Mashkov and Konstantin Lavronenko. Sergei Makovetsky had to replace Andrey Krasko, who died of heart attack during the filming.


Architect Oleg comes to a provincial town on business where he meets a girl Tania. It’s the case of love at first sight and there seems that a long a happy life awaits them…

40-year-old Vika and Max, after 15 years of marriage, seem to have become one. In their ideal apartment with a designer renovation, only one thing is missing — a child. Everything changes on one fateful evening, when a friend Pasha, who returned from several years of living in Moscow, comes to visit the couple with a new friend Alice. After several glasses of wine, Max confesses to a friend that the couple wants to have a child, but he himself cannot have children, whereas Vika is completely healthy. Having learned the secret of new acquaintances, Alice, without thinking twice, offers Pasha to become a sperm donor and help out friends. This awkward offer should change their lives forever.

In November, at the very beginning of the terrible winter of 1941, when the blockade ring closes around Leningrad, a group of young iceboat athletes goes out onto the thin, not yet formed ice. The mission to deliver ammunition turns into an operation to save orphans from an orphanage who were not evacuated in time. Former rivals in regatta sports must now turn into a real united team in order to survive themselves and give hope to everyone else.

The play is a compositional study based on a story by Boris Vakhtin. The desire to introduce the audience to the poetic world of Vakhtin's prose and to find an atmosphere reminiscent of the author led the creators to use the form of studies, stage sketches that are extremely conventional and open to the audience's perception. The search for intonation and the fine line between conventionality and authenticity of experience were central to this work.

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

In the past, Soviet prima ballerina and now world-renowned choreographer Ruta Myers returns to the country after almost 40 years to stage a performance at the country's main ballet theater. Ruta is forced to rebuild relationships with friends and enemies, who have become key people in the Russian ballet over the past time, but most importantly — with the artistic director of the theater Andrei Pronin and his family. They were once a couple, and now old feelings and old resentments flare up with renewed vigor. A lot of money, ambitions, and a career are at stake — Ruta, despite all her efforts, finds herself in the epicenter of passions and intrigues very far from the world of art.

They saw each other only once. At a wedding with lots of alcohol. Their eyes met and that was it. They didn't understand rationally what happened to them but they felt that they cannot keep living and breathing without each other. Cosmic magnetism with irresistible intensity pulled them together. They no longer belonged to themselves, their families and friends and that's how a tragedy evolves.

Once Anna gets an anonymous bouquet which turns her life around. But instead of love, she finds herself on a railway track.
