Shoes

Personal Info

Known For

Acting

Gender

Female

Birthday

1977-06-27

Place of Birth

Porto, Portugal

Joana Carvalho

Known for

Our Consul in Havana

Our Consul in Havana

Dentro

Dentro

2' Minutos para Mudar de Vida

2' Minutos para Mudar de Vida

4Play

4Play

Four inconsequential and bohemian friends want to write a television series. To do this, they create a game that will help them decide who will be the protagonist and who will also serve as their source of inspiration.

Purpleboy

Purpleboy

Oscar is a child germinating in its parent’s garden. Its body is developping underground. Nobody knows its biological sex but he wants to be a boy. One day, Oscar gets out of the ground and discovers his female body. After this painful discovery, is his desired identity finally going to be accepted?

3x3D

3x3D

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Our Consul in Havana

Our Consul in Havana

The film is liberally inspired by the period when Eça de Queiroz was Portuguese Consul in Cuba, when still a Spanish colony. Eça de Queiroz struggles against local authorities in his defense of Chinese workers, brought to the sugar plantations by greedy middlemen and exploited as slaves. Two parallel stories unfold, that of a Chinese girl which Eça de Queiroz saves from the clutches of one of the island’s most powerful slave owners, and the other of a romance involving a young American woman on holidays in Havana.

The Amazed Spectator

The Amazed Spectator

A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?