Yalçın Avşar

Bücür Cadı

Kaygısızlar

Affet Bizi Hocam

Çalıkuşu

Pioneered the first female narration ever on Turkish TV series follows a female teacher at the end of age of Classicism examining the role of business women in the post-modern society.

Tarik and The Others

May It Never Be

Upon being released from prison, Ferdi (Ferdi Tayfur) returns home hoping to put his past behind him and lead a quiet, peaceful life. However, his hometown offers little sanctuary, as local rivals and old enemies are waiting to settle scores. Around the same time, Selma (Necla Nazır), a mother driven by necessity to work as an oriental dancer in a local venue to fund her child's education, arrives in the conservative town. Her line of work creates immediate friction and moral judgment among the locals. When Ferdi's enemies instigate trouble for her as well, Ferdi and Selma find themselves facing common adversaries. Brought together by shared hardship and local hostility, the two form an unexpected bond, supporting one another in a town determined to push them to the margins.

Islak Mendil

Ümit, who lives in a poor neighborhood, makes a living by singing on the streets. One day, at his son's circumcision ceremony, he runs into his wife Necla, whom he separated from years ago. The couple separated years ago due to a misunderstanding. Ümit is still angry with his wife. Necla, however, decides to seek custody of their son, Murat. With her father's help, she wins the custody case. Murat takes the opportunity to run away to his father's side. However, Necla's fiancé sets a trap to put an end to the situation and has Ümit sent to prison.

Şeytanın Pabucu

The film tells the tragicomic story of Burhan, who lives with his elderly sister Nebahat and spends his time losing money gambling. It takes place in an atmosphere where fake identities abound and swindlers who have been swindled themselves attempt to walk a tightrope. In this environment, which resembles a masked ball, the film's protagonists are trying to "outwit the devil."

İlişkiler

Canısı

Hayal Avcıları

Canısı

Yusuf and Kenan

When their father is killed in a blood feud, Yusuf and Kenan, two shepherd boys, flee to Istanbul in search of their uncle. They become involved with the streetboys, and Yusuf turns to crime although Kenan wants to learn a trade.

Talihli Amele

A depiction of social satire, Talihli Amele [The Lucky Worker] (1980) shows the transformation of a young man who immigrated to Istanbul to provide a better life for his family. With hopes to become a successful mason, he suddenly finds himself the star of a TV commercial. Drawing attention to the rising consumerism culture and its effects on individuals in Turkey, the film was allowed to be shown with a State Council verdict.

İkimize Bir Dünya

Set in Burgazada, the story follows barber Dimitri and retired civil servant Ali Rıza Efendi, who struggles to make ends meet with his family during his retirement years. The story revolves around Melek, Ali Rıza's daughter, and her life as a hairdresser. The film is a drama that connects the characters from two separate stories in a third story.