Daniel Mendaille

Lola Montès

Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.

Rififi

Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.

The Earrings of Madame de...

In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, and her new lover, the Italian Baron Donati.

Napoleon

A biopic of former Emperor of France, Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant 1797 invasion of Italy.

Lucrezia Borgia

In 15th-century Rome, Cesare Borgia uses his sister Lucrezia as a political pawn, marrying her off to various noblemen to help unite Italy.

L'Auberge de l'abîme

At the end of the last century, in the Cévennes, a valiant officer was taken for a brigand. Brought to defend himself, he kills one of his attackers and seeks refuge in caves where he hides and from which he no longer dares to come out. The devotion of a doctor saves him and he marries the daughter of this one.

Not Delivered

After resolving to start a new life with his girlfriend Jacqueline, Bastien Sassey decides to give up working as a courier for drugs traffickers. So that he and Jacqueline can make a fresh start he agrees to take on one more job for a large sum of cash, but he betrays his employer.

We Are All Murderers

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

On Trial

Prosecutor Etzel discovers that his father has sentenced a man, Leonardo Maurizius, on mere presumptions. He then makes it a point of honor to trace the sources of the case to uncover the truth.

Captain Fracasse

A nobleman decides to join a traveling group of actors to be with a girl he admires, but ultimately must rescue her from bandits

Trafiquants de la mer

A gang of drug pushers is rampant on the French Riviera. The police has been informed and arrests an accomplice who is about to collect the drugs dropped off from a yacht. This person happens to be a public figure of a nearby village...

Comradeship

At a mine on the shared edge of France and Germany, an underground explosion leads to the entrapment of a group of French miners. In an effort to save the trapped Frenchmen, German miners Wittkopp and Kasper take it upon themselves to traverse a crumbling war tunnel leading down into the mines. Yet, though the workers harbor no political biases against one another, their callous, less tolerant bosses hope to halt this cross-cultural rescue mission.

The Count of Bragelonne

Raoul de Bragelonne must uphold his musketeer father's legacy in the face of court intrigues from Cardinal Mazarin.

The Irony of Fate

Saint Joan the Maid

This relatively straightforward dramatic biography was one of two films commissioned to honor Joan of Arc on the 500th anniversary of her death, but it was soon undeservedly relegated to obscurity in favor of Carl Dreyer's triumphant 'La Passion de Jeanne d'Arc'. The comparison is unfair: Dreyer was an artist, but director Marco de Gastyne certainly proved himself a distinguished craftsman, and his emphasis on the Maid of Orléans early life in Domrémy serves as a picturesque, matching bookend to Dreyer's impassioned courtroom drama.