
The series revolves around the two brothers Hafez and Shawqi, the sons of Haj Radwan, whose life paths are completely different, while Shawky indulges in the life of fun and luxury, his brother Hafez is busy working in trade with his father, and begins signs of conflict between them on several levels, and at the same time Hafez marries Dolat, and Shawky from Zainab, to ignite the ground of a new conflict.

The story revolves around a fictional framework about Sultan Kahlan, who was deprived of procreation, along with his wife, Qamar Al-Zaman. Minister Shaalan seeks to persuade the Sultan to marry his daughter until she gives birth to the crown prince, until he meets the old witch king, who gives him and his wife an apple to eat and provide the crown prince, and the events continue.








The events take place in the framework of social drama, about the selfish father (Asaad), who falls into the clutches of another woman, which is called (Farida), and forgets his first wife (Suad) and his children until they are displaced, and then time gathers them again after a period of separation, so that the father will pay the price of his ingrace and the cruelty of his heart for his children.


Wael is a psychiatry student by day and nightclub worker, he gets acquainted with Salwa in the hospital where he trains and falls in love with her. He feels that there's a big story behind her admission to the hospital and tries to help her despite all the obstacles she faces.

The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”

A father loses his carpentry workshop after his son-in-law stops paying taxes regularly. His son Hassan, a bus driver, struggles hard to save his father’s workshop, while the daughters try to replace it with a new project inspired by the “Infitah” era.

Dr. Sherif is married to the novelist Nana, but he is also having an affair with her friend Laila. When Sherif goes to attend a medical conference, he takes Laila with him and claims that she is his wife. Unbeknownst to him, Nana follows him to reconcile with him after their latest fight.