Ged Marlon

Kaamelott

Kaamelott is a French comedy medieval fantasy television series created, directed, written, scored, and edited by Alexandre Astier, who also starred as the main character. The series, which originally ran for six seasons (referred to as 'books'), ran from January 3, 2005, to October 31, 2009, on M6. In this offbeat account of King Arthur's quest for the Grail, virtually every journey, battle or adventure is stopped dead in its tracks by the knights of the round table's most worldly traits: cowardice, greed, idiocy or misplaced chivalry. As a consequence, instead of epic adventures we are treated with the characters' pragmatic and anachronistic take on each and every event in the Grail legend, true to the purest sitcom tradition.

Champs-Elysées

Le Grand Échiquier

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

The Little Murders of Agatha Christie

French adaptations of the stories by Agatha Christie.

Les Cordier, juge et flic

The Cordier fight in family against the crime: the father is police captain, the son, investigating judge and the girl, a journalist.

Palace

The action takes place - as the title suggests - in a Palace, a really nice hotel. Funny scenes happen in different places: the kitchen, the reception, the elevator, the rooms, ...

Vive nous!

When Valérie's husband Yves confesses he's in love with another woman, she happens into a judo club and begins lessons. She likes it, she's a natural, and she's attracted to Bruno, the quiet instructor. He likes her as well, but sees social class as a barrier, and Yves never seems to be too far away. Valérie's two close friends have their own stories: Annette is continuously looking for a husband, with little luck. Clara cares more about wealth and power, and takes up with the country's finance minister, an older man who flips for her. Meanwhile, Yves's lover doesn't seem in a hurry to leave her husband, so Valérie looks good to him from time to time. Will Bruno ever make a move?

The Screw

Mr. K is a do-it-yourselfer and he works very seriously. One day he has a problem with one of his screws. Furious, he decides to complain at the administration office of the Department Store of Non Ferrous Metals!..

Golden Boy

Antoine a Union representative works in a financially troubled factory. He's not the sharpest tool in the box but he has a big heart and when he and his wife win the jackpot of the national lottery. Antoine will invest his gain to try and safe the factory.

'Round Midnight

Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.

Safe Conduct

During the Nazi occupation of France, two filmmakers try to build a career without compromising their ideals.

Les Talents d’Achille

Adrenaline

"Adrénaline" proposes a string of short surrealist films presenting at various levels an interesting mix of mild gore, cynical humor and absurd surrealism.

Mad Love

After a successful bank robbery, Micky hopes to take back his girlfriend Marie who has been taken from him. On the way to Paris he meets Leon, a neurotic dreamer whom he considers an idiot. Leon can hardly understand what Micky is up to but he follows him everywhere and soon falls in love with Marie.

Sieben Frauen, sieben Sünden

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.