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Hussain Al-Mahdi
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The Exchange
Set in Kuwait in 1988, two women making their way in the boys club of the Kuwait Stock Exchange, on the eve of Saddam Hussein's invasion of the country.
Thursday's Visit
The events of the series revolve in a comic framework about (Moza) and (Thnayan), the heads of a family, which includes 5 children, who together try to constantly reunite the family through the weekly meeting of the grandparents with their children and grandchildren in (Zuwara), shedding light on the problems that afflict family relations, which It can cause disconnection or strife if not handled wisely.
Saher Al-Liel
The role of events in the seventies of the last century, when Kuwait was an example of human and material development and progress. The series deals with several social and humanitarian issues, such as social class, materialism, love of control and equality between men and women, through three families that struggle directly and indirectly among themselves.
Anti's Return
After Hamida has dedicated her life to the fashion world to form her own empire, she is forced to face a new and dangerous world to save her niece Dalia's children from the problems they are involved in.
Life That Doesn't Like Me
The events take place in the seventies and eighties of the twentieth century, within a large family living in one house, and all members of this family live in a reality that does not resemble their dreams and ambitions.
Our Mother the Scent of Paradise
Fatima a mother of seven children, loses her memory at 1983, for thirty years, when she regains her memory she finds out that she don't know her children's whereabouts she sets out to find them with all her power willing to be reunited with them once again and this time forever.
Mohamed Ali Road
Written secrets are what connects the beaches in Kuwait and Mohamed Ali Road in Mumbai, as a beautiful friendship bonds Shehab and the merchant Abdel Wahab, but the friendship is tarnished when Abdel Wahab betrays his best friend.
Monsters
The series presents, in a framework of mystery and suspense, a group of separate episodes, where each episode deals with one of the most prominent and famous true crimes that occurred in Kuwait over different years.
Permissible and Forbidden
The series discusses the idea of what is permissible and forbidden, the Arab community's view of it, and how each person sees it from their own perspective. It highlights the problems that are caused by the soul being prone to evil and tries to find solutions to it.
Crime of Love
Based on the novel "The Blind Sinbad," the series begins with a sea voyage in the nineties that ends with Amer's drowning, which unleashes a series of secrets and crises that extend over three decades and directly affect the lives of Nawaf, Nadia, and their daughter Mnayer.
The House is Our Father’s House
The series deals with the life of a man whose two daughters take refuge with him after their divorce, and they live with him along with their children. During the events, many disputes arise between them that indicate an old animosity between them, in addition to situations that indicate their suffering after the divorce.
The Law
Set in the 1970s, the head of the family, Rashed Al-Mather, is a successful, hard-working businessman, who turns away from his family, and suddenly disappears after his son gets married, leading the police to investigate to find out who would benefit from his disappearance.
Sedef
Set in 1970s kuwait following a series of kidnappings, where the only trace left is a polaroid photograph of the victim left in the crime scene. A family drama following Fayez his wife Amani and their daughter Sarah, Fayez is a struggling actor, who is given a chance to become a star, as their lives seems to be on the right track their daughter is kidnapped. It becomes a game of cat and mouse, everyone becomes a suspect, even Fayez himself
Al Fatin
In a dramatic comedy framework, the work tells about Shaheen and his daily dealings with people in Kuwaiti society through the relationships of love, greed and deception that happened to him and those around him.
Skyscraper
Armed with the motto 'It’s never too late', an ambitious Aamira tries to do the impossible by investing in talent and multiple ventures.