Shoes

Personal Info

Known For

Camera

Gender

Male

Birthday

1924-09-16

Place of Birth

Paris, France

Raoul Coutard

Biography

Raoul Coutard (16 September 1924 – 8 November 2016) was a French cinematographer. He is best known for his connection with the Nouvelle Vague period and particularly for his work with director Jean-Luc Godard. Coutard also shot films for New Wave director François Truffaut as well as Jacques Demy, a contemporary frequently associated with the movement. He shot over 75 films during a career that lasted nearly half a century. Coutard originally planned to study chemistry, but switched to photography because of the cost of tuition. In 1945, Coutard was sent to participate in the French Indochina War; he lived in Vietnam for the next 11 years, working as a war photographer, eventually becoming a freelancer for Paris Match and Look. In 1956, he was approached to shoot a film by Pierre Schoendoerffer, La Passe du Diable. Coutard had never used a movie camera before, and reportedly agreed to the job because of a misunderstanding (he believed he was being hired to shoot production stills of the film). Coutard's first work collaboration with Jean-Luc Godard was Godard's first feature, À bout de souffle, shot in 1959. He was reportedly "imposed" on Godard by producer Georges de Beauregard; the director had already settled on a different cinematographer. Coutard photographed nearly all of Godard's work in the Nouvelle Vague era (1959 - 1967), with the exception of Masculin, féminin; their last work during this period was Week-end (1967), which marked the end of Godard's work as a 'mainstream' filmmaker. The two did not work together again until Passion; their final collaboration was Godard's next feature, Prénom Carmen. ... Source: Article "Raoul Coutard" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Known for

Les Rendez-vous du dimanche

Les Rendez-vous du dimanche

A talk show presented by Michel Drucker

Cinépanorama

Cinépanorama

Contempt

Contempt

Art film producer Jeremy Prokosch, unhappy with the work of his director, hires Fritz Lang (as himself) to direct an adaptation of The Odyssey, but when it seems that the legendary filmmaker is making a picture destined to bomb, he brings in a screenwriter to energise the script. The professional intersects with the personal when a rift develops between the writer and his wife.

The Hideout

The Hideout

A jewel thief hides his loot in a WELL while escaping. He returns several years later only to find there is a Resort on the site and the well is the centerpiece of the place. He then has to find a way to retrieve his haul.

Z

Z

A prominent politician is murdered during a demonstration. The government and army are trying to suppress the truth, but a tenacious magistrate is determined not to let them get away with it.

The Bamboo Incident

The Bamboo Incident

A young Vietnamese boy's life is thrown into turmoil by the war raging in his country. The ten year old remains with his mother and baby sister as his father goes off to fight for the Viet Cong. During his father's absence, his mother dies from overwork and the inability to find proper medical care for her illness. He cares for his baby sister and struggles to earn a living by shining shoes and doing other odd jobs before his father returns. Both an American soldier and a Viet Cong regular are shown defending their country's political agenda. Also shown are guerilla tactics and bombings in this feature directed by veteran combat photographer Raoul Coutard.

La Chinoise

La Chinoise

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

The Outskirts of Alphaville

The Outskirts of Alphaville

Making of Jean Luc Godard's Alphaville (1965)

Chambre 12, Hôtel de Suède

Chambre 12, Hôtel de Suède

Claude Ventura's documentary Chambre 12, Hotel de Suede, was made for the French television channel Arte in 1993. Ventura checks into room twelve in the hotel's final week of operation: it is demolished the day after he checks out. Room twelve was one of the principal locations for Jean-Luc Godard's New Wave masterpiece Breathless, and Ventura's documentary investigates the production of Godard's film.

Godard, Love and Poetry

Godard, Love and Poetry

Documentary about director Jean-Luc Godard and Anna Karina. In 1960, Jean-Luc Godard films for the first time Anna Karina and falls in love. His cinema is transformed by it forever. Spanned from "Little Soldier" to "Crazy Pete" through "A Woman is a Woman", "My Life to Live" andd "Alphaville", this documentary tells how, during five years , Godard and Karina consciously mixed cinema and private life, with constant will to film "as in true life" and to live "as in film"

Nouvelle Vague : El cine sin dogmas

Nouvelle Vague : El cine sin dogmas

Pierre Schoendoerffer, the Sentinel of Memory

Pierre Schoendoerffer, the Sentinel of Memory

Pierre Schoendoerffer revisits his life and career, with a strong focus on the impact that his experience as a war cinematographer for the French army during the Indochina War had on him.

Cinéma! Cinéma! The French New Wave

Cinéma! Cinéma! The French New Wave

An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.

Il était une fois... « Jules et Jim »

Il était une fois... « Jules et Jim »

Jean Seberg: American Actress

Jean Seberg: American Actress

On September 8, 1979, actress Jean Seberg was found dead in her car not far from her home. Conclusion: suicide. Directors Fosco and Dubini believe she was murdered. The documentary is abundantly illustrated with film fragments and testimonials with people who knew her. Dubini and Fosco wrote the screenplay and edited it.