
Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

Vassili Mikhailovich Ordynov, a poor and reclusive young man, must look for new accommodation. By chance, he meets a middle-aged man, Mourine, and a young woman, Catherine, who accepts him as a sub-tenant...

This telefilm in black and white is diffused on the first French chain the November 6th 1965. It undoubtedly remains the most known adaptation of the Dom Juan of Molière.

The knight Henri de Lagardère wants to avenge the death of his friend, the duke Philippe de Nevers assassinated by the prince de Gonzague, a few years before.

A tale of the tender relationship between a twelve-year-old boy and the fourteen-year-old upperclassman who is the object of his desire, all set within the rigid atmosphere of a Jesuit-run school.

Violeta, an Andalusian gypsy, foretells a lady she will become empress. The lady is Eugenia de Montijo, and when she marries emperor Luis Napoleón of France she takes the young girl with her. The empress'cousin readily makes her his focus of attention, then she discovers a criminal attempt against the empress.

The Marcenat couple seem to have everything they need to be happy. However, Odile's frivolity and Philippe's jealousy drive the couple apart. Philippe, manager of the family printing business, finds solace in Isabelle, a long-time employee at the paper mill. Isabelle's routine life, entirely devoted to her work, leads Philippe to strike up a romantic relationship with the playful young Misa. But, faced with Isabelle's grief, Philippe puts an end to the romance. When Odile, inconsolable since their break-up, finally commits suicide, Philippe realizes that she was his true love.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

In the 19th century, a thug from the slums of Paris pretends to be a young aristocrat, but is unmasked by a demi-mondaine, from the same background as him.

An ex-convict who wants to make an honest life for himself is pursued by the implacable hatred of a policeman.

A young reporter solves a mystery crime. The fictional reporter is Joseph Rouletabille. He works on a complex, and seemingly impossible, crime in which the criminal appears to disappear from a locked room.

Denise Moret joins her husband, Pierre, in Mongolia where he works as a civil engineer. One night she loose a lot of money on the roulette and therefore is forced to borrow money from Prince Lee-Lang. The Prince immediately begins to flirt and make advances towards Denise. Advances she rejects.

Out of love for an actress, Isabelle, the Baron de Sigognac joins a traveling troupe en route to Paris. When an actor dies, he takes over his role: that of Captain Fracasse.

Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are pursued in more detail to the start of the Revolution, after which the story is brought rapidly up to date.

Biography and apology of the famous pilot, nicknamed by some the Archangel, who organized the airmail network of South America, flew the first over the Andes Cordillera, maintained the mystique of the South Atlantic, militated in the Crosses of Fire and perished at the controls of "La Croix du Sud" during its twenty-fourth crossing.