Shoes

Personal Info

Known For

Acting

Gender

Female

Birthday

1939-08-09

Place of Birth

Boulogne-Billancourt, Seine [now Hauts-de-Seine], France

Bulle Ogier

Biography

Bulle Ogier (born Marie-France Thielland on 9 August 1939) is a French actress. Ogier's first appearance on screen was in Voilà l'Ordre, a short film directed by Jacques Baratier with a number of the then-emerging young singers of the 1960s in France, including Boris Vian, Claude Nougaro, etc. She worked with Jacques Rivette (L'Amour fou, Céline et Julie vont en bateau, Duelle, Le Pont du Nord, La Bande des Quatre), Luis Buñuel (Le charme discret de la bourgeoisie (The Discreet Charm of the Bourgeoisie), René Allio, Claude Lelouch, Jean-Paul Civeyrac (All the Fine Promises Prix Jean Vigo), Claude Duty, Marguerite Duras, Rainer Werner Fassbinder, Barbet Schroeder, and others. Her daughter Pascale Ogier was also an actress, with a promising career that was cut short by her early death the day before her 26th birthday. Ogier is married to producer and director Barbet Schroeder. Description above from the Wikipedia article Bulle Ogier, licensed under CC-BY-SA, full list of contributors on Wikipedia

Known for

Sacrée soirée

Sacrée soirée

Midi trente

Midi trente

Les Rendez-vous du dimanche

Les Rendez-vous du dimanche

A talk show presented by Michel Drucker

Samedi soir

Samedi soir

Capitaine Marleau

Capitaine Marleau

Beneath her eccentric appearance, Captain Marleau is a formidable detective. Her Sherlock Holmes deerstalker cap, her character, her unusual appearance, her humor, her unpredictable behavior--Captain Marleau is not your average gendarme. She never rushes an investigation; she becomes the investigation and relentlessly pursues the suspects.

Marriage

Marriage

Four wedding anniversaries serve to chronicle the beginning and end of a thirty-year marriage.

Out 1

Out 1

Following the May 1968 civil unrest in France, two theater groups rehearse plays by Aeschylus while two solitary individuals wander the Parisian streets hustling the populace for cash.

Irma Vep

Irma Vep

A has-been French filmmaker wants a Hong Kong actress to be the heroine in a rendering of Les Vampires.

Private Screening

Private Screening

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

The Discreet Charm of the Bourgeoisie

The Discreet Charm of the Bourgeoisie

An upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

Encore heureux

Encore heureux

Okay, Marie is a little tired of the insouciance of her husband Sam, framework sup unemployed for 2 years. Agree, it is very tempted to be seduced by this beautiful stranger who made him the Court. Okay, there is also the daughter piano competition... If this balance light and crazy about standing, an unexpected event throws the family on an even crazier way.

Maîtresse

Maîtresse

After breaking into a house he believes is empty, thief Olivier is caught by the owner, Ariane, who turns out to be a dominatrix. Improbably falling for her, Olivier returns periodically, and an impulsive romance blossoms despite Ariane's profession. Soon Olivier becomes more familiar with her work, even joining in on occasion. However, when he discovers that Ariane has a son, he attempts to "fix" her, hoping to give her a better life.

Les filous

Les filous

White Journey

White Journey

One of Werner Schroeter's most important and inventive works, this threadbare evocation of Jean Genet's notorious Querelle depicts the erotic adventures of two sailors through the world's seaports in the manner of a cut-rate silent movie.

The Idols

The Idols

This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.