Shoes

Personal Info

Known For

Directing

Gender

Male

Birthday

1944-04-03

Place of Birth

Roma, Lazio, Italia

Lamberto Bava

Biography

Lamberto Bava was born in Rome, Italy, and was the first of a third generation of Italian filmmakers. His grandfather, Eugenio Bava (1886-1966), was a cameraman and optics effects artist during the early days of Italian silent cinema. His father, Mario Bava (1914-1980), was a legendary cinematographer, special effects designer and director. Lamberto entered the cinema as his father's personal assistant, starting with "Planet of the Vampires" (1965). Bit by bit he gained experience from his father, who made him the assistant director for most of the rest of his films. He even co-wrote the screenplay for "Shock" (1977), Mario's last theatrical film where, in poor health during the shoot, Mario often feigned illness so Lamberto could direct a few scenes, uncredited, to gain further experience. Both Lamberto and Mario directed the made-for-TV drama "I giochi del diavolo: La Venere d'Ille" (1979). Both worked on the Dario Argento horror flick "Inferno" (1980), for which Mario designed some of the color set pieces, including the underwater ballroom, and created all the visual special effects, while Lamberto worked as Argento's assistant director. Late in 1979 Lamberto made his solo directorial debut with "Macabre" (1980), a tense drama-horror flick loosely based on a 1977 incident in New Orleans about a woman who keeps her lover's severed head in her freezer. According to Lamberto, the project started by chance when producer Pupi Avati approached him to direct as well as write the screenplay, which took just six weeks to write and direct. "Macabre" was released in Italy in February 1980 to mixed reviews, but won him recognition by his father Mario. Just two months later Mario Bava died, and an era in Italian film making came to a close. "Macabre" was not a box-office hit and, as a result, Lamberto went back to assistant directing. He worked with Dario Argento again in 1982 with "Tenebrae" (1982). In 1983 Lamberto was offered the opportunity to direct another film, titled "A Blade in the Dark" (1983), which was a violent mystery thriller shot in only three weeks on a tight budget and filmed almost entirely in a producer friend's house. Next he directed the action-flick "Blastfighter" (1984), which was filmed in the state of Georgia, and immediately afterwards directed the "Jaws" (1975)-like thriller "Devil Fish" (1984), which was shot in Florida. On both films Lamberto was purely a director for hire and had nothing to do with the script or production end. He used the pseudonym of 'John Old Jr.' for this latter film, which was a tribute to his father Mario, who often used the pseudonym 'John M. Old'. He enjoyed his best commercial success to date with "Demons" (1985), produced by Dario Argento, co-written by Dardano Sacchetti and filmed in West Berlin. This film's international success allowed him to co-write, produce and direct a sequel, "Demons 2" (1986). Lamberto returned to giallo thrillers with "Delirium" (1987). In the late 1980s the Italian cinema turned moribund. Lamberto, like most of his colleagues, turned to making films for Italian television. He also directed a remake of his father's "Black Sunday" (1960), which was titled "La maschera del demonio" (1990). Nowadays Lamberto Bava continues to divide his time between TV work and a few movies, acknowledging his inspiration from his late father, Mario.

Known for

Inspector Coliandro

Inspector Coliandro

Coliandro is an inspector serving at the Bologna police headquarters who constantly finds himself embroiled, against his will, in matters bigger than himself. But Coliandro never backs down, even though his carelessness and investigative incompetence inevitably land him in trouble.

Tenebre

Tenebre

A razor-wielding serial killer is on the loose, murdering those around Peter Neal, an American mystery author in Italy to promote his newest novel.

Demons

Demons

A group of people are trapped in a West Berlin movie theater infested with ravenous demons who proceed to kill and possess the humans one-by-one, thereby multiplying their numbers.

Scerbanenco Noir

Scerbanenco Noir

A short documentary exploring the life and work of writer Giorgio Scerbanenco.

Shock

Shock

A couple is terrorized in their new house haunted by the vengeful ghost of the woman's former husband who possesses her young son.

The Art of Crime

The Art of Crime

Documentary about the making of Mario Bava's A BAY OF BLOOD.

Inferno Rosso: Joe D'Amato on the Road of Excess

Inferno Rosso: Joe D'Amato on the Road of Excess

Who was Joe D'Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

Il castello dell'orrore

Il castello dell'orrore

Documentary about the making of Mario Bava's horror classic "Baron Blood".

Nightmare Delirium

Nightmare Delirium

Documentary about the making of Lamberto Bava's 1987 Giallo "Delirium".

Graveyard Disturbance

Graveyard Disturbance

Five teenage thieves are challenged by a local bartender to stay overnight in the supposedly haunted catacombs of a nearby cemetery, promising them a rare treasure if they can make it through the night.

Paura: Lucio Fulci Remembered - Volume 1

Paura: Lucio Fulci Remembered - Volume 1

This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.

The Ogre

The Ogre

An American horror writer, haunted by childhood nightmares, moves to an old mansion in Italy with her husband and young son only to discover the nightmares were real.

In der Folterkammer des Barons

In der Folterkammer des Barons

In-depth documentary about the making of Mario Bava's horror classic "Baron Blood".

All the Colors of Giallo

All the Colors of Giallo

'Giallo' is Italian for 'yellow', the color of the lurid pulp novels that inspired one of the most intense, extreme and influential genres in movie history. In this unprecedented collection, experience the full chronological evolution of giallo with more than 100 rare and classic trailers from such masters as Mario Bava, Dario Argento, Lucio Fulci, Sergio Martino, Antonio Margheriti, Umberto Lenzi and many more. Then slip on black leather gloves and set the mood with a Bonus CD of legendary soundtrack music from composers that include Ennio Morricone, Riz Ortolani, Bruno Nicolai, Stelvio Cipriani and others, along with all-new featurettes that thrust even deeper into the genre. "But be warned," says Gizmodo.com, "Once you start going down the blood- slicked giallo rabbit hole, you may become dangerously obsessed."

The Three Faces of Terror

The Three Faces of Terror

In the first story two grave robbers, thieving from an ancient Etruscan burial ground, gets in trouble when one of them tries out a ring which passes a werewolf curse to him! The second one is about a woman who wants to look like her best friend and goes to a plastic surgeon, which is the biggest mistake she's done. The third story is about three friends and a very dangerous sea monster eating its way through their camping site! The wrap-around story is set on a train where John Phillip Law plays a mystical hypnotist who claims that he can see the past of the passengers...