
Witse is a Dutch language crime drama produced by Belgian broadcaster VRT and broadcast on their één channel. It is also shown on BVN. First broadcast in 2004, as of 2010 the programme comprises eight series with a ninth and final series planned for 2012. It stars Hubert Damen as the eponymous Witse, a driven inspector in the Belgian federal police based in Halle. It is one of the most popular Flemish television programmes with some 1.6 million viewers. There are also Witse books. The first three were based on the last two episodes of each season, but since 2010 every six months a brand new story is published, written and invented by established Belgian writers, as Bob Van Laerhoven and Bart Van Lierde. The music for Witse is composed by Steve Willaert.

Twelve ordinary people are called for jury duty for a controversial murder case.

A specialized team is responsible for the country's State Security. This Antwerp cell operates from the bunker, a secret and underground headquarters

Three women become entangled in the world of human trafficking and prostitution when Esther's husband suddenly disappears. From completely different worlds, the lives of these women become intertwined. They discover that they need each other to escape from the difficult situations they find themselves in.

The nerve-racking events of a cold winter's day, seen from two different perspectives. The odd episodes tell the story of a team of police negotiators and special forces who respond to a hostage crisis in a small bank branch. The even episodes tell exactly the same events, only through the eyes of the criminals inside and their victims.

A young couple travels to a shabby Eastern European hospital for plastic surgery. The young woman wants a breast reduction. Her mother comes along for yet another face-lift. Wandering through an abandoned ward the boyfriend stumbles upon a young woman, gagged and strapped to an operating table; she is the result of an experimental rejuvenation treatment. He frees her, but does not realize he just caused the outbreak of a virus that will change doctors, patients and his mother-in-law into bloodthirsty zombies.

The series focuses on the Vangenechten family of butchers. Business is going well until Rudy, the butcher couple's only son, suddenly returns home after years of absence. He refuses to say where he has been all this time, but he does want to come back home and work in the butcher shop.

Since the death of their parents, five sisters have formed a close-knit clan—until one of them marries. The other four see the devilish husband as the source of all misery and hatch a plan to get rid of him.

Each episode takes the form of a broadcast made by a fictional pirate television station from a fictional small-minded village in East-Flanders, manned by a small number of VJs who introduce various sketches disguised as news or human interest reports. The style of both the program and its official website is deliberately amateurish. Most episodes involve a framing story which intertwines with certain sketches. Many characters are recurring and feature several catchphrases. The series sometimes includes sketches about current news, such as a baby found at a railway station, but also reacted to some negative critique, not taking itself too seriously.



Each short story plays in the same setting with 2 characters, each on their side of the glass of the visitors area from a prison that them (and also the world) divides.


When Brussels-based Gigi discovers that his mother Anaïs is dating her ex again, with whom she shared not only love but also a drug addiction in the past, he presents her with an ultimatum: her son or her lover. When Anaïs refuses to choose, Gigi decides to leave the house. Falling back on his friends, Gigi finds his way in a merciless society.

Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints. A contemporary of Rembrandt and, indeed, more celebrated during his life, Goltzius seduces the Margrave of Alsace into paying for a printing press to make and publish illustrated books. In return, he promises him an extraordinary book of pictures of illustrating the Old Testament’s biblical stories. Erotic tales of Lot and his daughters, David and Bathsheba, Samson and Deliah and John the Baptist and Salome. To tempt the Margrave further, Goltzius and his printing company will offer to perform dramatisations of these erotic stories for his court.