
The engineer Wolff Benningsen (Volker von Collande), a self-assured and über-obnoxious jingo jerk meets the young art student Vika von Demnitz (Leny Marenbach) while climbing in the Alps. One get's the idea that he would like to knock her over the head with a club and drag her to his cave but since this is out of fashion he decides to stalk her and annoy her heavy-handedly into a full submission. Understandingly, she instantly dislikes the lad and tries to shake him off. She succeeds a few times but then starts to suffer from some kind of Stockholm syndrome and falls for him. But that's not enough for him, being an infantile egoist he wants to tame the "wild bird" fully and break every last bit of her own will. It's all hard to believe if you haven't seen it yourself.


Heinz Rühmann plays the "model husband" who, when his bored wife threatens to leave him, embarks on an adventurous night.

A waitress takes all the gossip of a small town on the Rhine in stride, in spite of a distinguished composer being a loving husband and father for her illegitimate child.


Am grünen Strand der Spree was a five-part German television movie which first aired in 1960. It was based on a novel by Hans Scholz and has been called a Straßenfeger in German, a television program that was watched by so many, the streets were empty. It was produced by German broadcaster Nord- und Westdeutscher Rundfunkverband in Cologne, Germany.




On his travels, Paul, a journeyman from northern Germany, runs into a childhood friend, Lisei, a puppeteer's daughter. They fall in love and get married. Together with Lisei's father, the young couple moves to Paul's hometown. Although Paul himself is accepted - even respected - by the stuck-up and snooty citizens, the young woman is rejected by the town dwellers, who are imbued with class arrogance. Paul stands up for his wife but the scorn and abuse heaped on her weigh heavily upon him.

This semi-musical stars Lenv Marenbach as Jana, a naïve farm girl who falls in love with a neighbor boy. It isn't long before she realizes that the romance is a mistake, but by now the couple is engaged. At the very last moment, Jana balks at the altar and runs off with her true love, her fiance's brother. This is the German-language version of the Czech film, JANA, starring Helena Busova.


Nora and Peter constantly fight and wish to divorce. Nora's uncle Eberhard, however, believes the two belong together and comes up with a plan to bring the two back together again: as a lawyer, who is processing the divorce, he explains to them that the paperwork for the divorce is completed, but will only go into effect once they undertake a reconciliation attempt. For the first reconciliation meeting, Eberhard enlists the help of his friend Christa and together, they turn Nora into such a hot tamale, that Peter burns with jealousy that any other man might look at her. At the second meeting of the two, which takes place a year later (how long do divorces in Nazi Germany take?!?!), Nora plays the girl abandoned by everyone. In the interim, she's given birth to Peter's son -- which apparently does not count as a reconciliation -- and Peter has become a successful composer. When Nora again disappears after this meeting, Peter does all he can to win her back.

In this blood and soil melodrama, the daughter of the chief forester is torn between love for a reprobate painter and the duty to wed the assistant forester, a widower with a boy.
